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THE AUCTION WILL CLOSE ON FRIDAY, 15th OF MAY, AT 9PM.
HAPPY BIDDING AND THANK YOU FOR ALL YOUR SUPPORT!
Dear Art Lovers,
we would like to introduce you to the
Art Technician Emergency Fund
A fund to support UK art technicians who have lost their livelihoods due to Covid-19 by fundraising through a silent auction of donated artworks.
Art Technicians are the back-bone of the art and museum world. Right now, they need assistance to alleviate some of the financial struggle art technicians are and will face in the coming months.This is a chance for you to support the very people that are so important to making exhibitions and art events possible by helping them and their families get through this difficult time.
The working reality for many art technician is one of multiple precarious job arrangements, so support schemes set up by the government such as the SEISS grant will only help a small percentage of art technicians. Many of us will qualify for very little, or not qualify at all. Additionally, Art Technicians tend to have additional running costs to be able to do their jobs such as studios, workshops, and storage units for tools and equipment. Right now, a lot of art technicians are in severe financial difficulty and run a very real risk of losing their jobs for good. We want to help by giving art technicians affected now a chance to readjust, and to be in a position to work again in the future.
This is how we will distribute the fund:
Once the auction has closed all those who signed up to the fund will be required to confirm they still require financial aid. We will aim to check as far as we can to assess the real need of people signed up to the fund, but overall we will have to rely on honest declaration of need. The full sum of any money raised will then be distributed equally between all qualifying individuals signed up to the fund.
If you want to contribute, but not take part in the auction, you can also DONATE to our fund - please use the DONATE button on the top of our page.
The ATEF is run by:
Sarah Titheridge
I have worked as an art technician full time and freelance for prominent galleries, museums, artist's studios, shipping and handling companies, and collections in the UK and abroad for over 15 years. I have run ArtTechSpace.comfor 8 years which is an art technical advocacy organisation which shares jobs and vocational information, delivers training programs, and runs social networking events. Two years ago I also helped to set up the Art Technician branch of the BECTU union. You can find my LinkedIn profile hereto check that I’m a real human.
Martina Schmuecker
I have worked as an art technician freelance for various workshops, galleries and institutions in the UK since 2006, I'm also an artist and teach at UK higher institutions. I'm visible here:
I have worked as a freelance art technician and fabricator for several years and run Out of the Blue Fabrications a company focused on the creation of high quality fabrication solutions for artists, galleries, museums and private collectors. As a freelancer I work for a variety of clients across the U.K and Internationally with an expansive skillset and experience. www.outofthebluefabrications.com
Please contribute to the Art Technician Emergency Fund by bidding on one of our beautiful artworks. All artworks have been kindly donated by artists in support of the fund.
Now, please check out our beautiful collection of artworks from our artists friends, employers and clients. Bid for as many artworks as you like – your support is greatly appreciated.
You are the highest bidder ! , but the reserve price has not been met.
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2015 Edition 10. Paper size 56 x 65 cms Image size 30 x 40 cms Proofed by the artist & editioned at Artichoke Studio, London on 300gsm Somerset
A portfolio of the four prints ‘What Remains’ were acquired by the dept. of Prints & Drawings at the British Museum in 2019.
Kindly donated by Paul Coldwell
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SIGNED IN AS :
WORK 20
£ 190
0
NOT STARTED
Martina Schmuecker — Green Medusa
Martina Schmuecker — Green Medusa
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 190
20
0
Highest bidder:
YOUR BID:
£
CLOSED
Minimum bid is £200 (Bid increments are £10).
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2017 Pigment and casein paint on water colour paper 34 x 25cm
Kindly donated by Martina Schmuecker
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By confirming your bid, you commit to buy this item if you are the winning bidder at the end of the auction and you agree to the terms of this auction.
By confirming your bid, you commit to buy this item if you are the winning bidder at the end of the auction and you agree to the terms of this auction.
SIGNED IN AS :
WORK 137
£ 190
0
NOT STARTED
Perce Jerrom - Black Ops
Perce Jerrom - Black Ops
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 190
137
0
Highest bidder:
YOUR BID:
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CLOSED
Minimum bid is £200 (Bid increments are £10).
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2019 Etched plasterboard, Magnets 19 x 13.5 x 1.2cm Unique Signed
Kindly donated by Perce Jerrom
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SIGNED IN AS :
WORK 78
£ 190
0
NOT STARTED
Mark Siebert - Any Given Moment 1611 (Gmail)
Mark Siebert - Any Given Moment 1611 (Gmail)
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 190
78
0
Highest bidder:
YOUR BID:
£
CLOSED
Minimum bid is £200 (Bid increments are £10).
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2019 Oil on paper 29.7 x 16.4 cm
Kindly donated by Mark Siebert
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SIGNED IN AS :
WORK 30
£ 290
0
NOT STARTED
Scott Robertson - Manifest(oh)
Scott Robertson - Manifest(oh)
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 290
30
0
Highest bidder:
YOUR BID:
£
CLOSED
Minimum bid is £300 (Bid increments are £10).
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Partially made 1000 piece jigsaw Unique 75 x 66cm Framed
Kindly donated by Scott Robertson
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SIGNED IN AS :
WORK 6
£ 150
1
NOT STARTED
James Alec Hardy — 190711 103
James Alec Hardy — 190711 103
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 150
6
1
Highest bidder: Philip Maurer
YOUR BID:
£
CLOSED
Minimum bid is £155 (Bid increments are £5).
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2019 Giclee Print on Hahnemuehle 308 paper 40 x 50cm Unframed
Kindly donated by James Alec Hardy
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SIGNED IN AS :
WORK 47
£ 190
0
NOT STARTED
Tom Mason - Slip Inside
Tom Mason - Slip Inside
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 190
47
0
Highest bidder:
YOUR BID:
£
CLOSED
Minimum bid is £200 (Bid increments are £10).
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Tom Mason - Slip Inside 2018 Acrylic on canvas 30 x 40 cm
Kindly donated by Tom Mason
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SIGNED IN AS :
WORK 40
£ 210
2
NOT STARTED
Luke Burton - Ambivalent Men Hiding Under Fountain
Luke Burton - Ambivalent Men Hiding Under Fountain
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 210
40
2
Highest bidder: Simon Kirk
YOUR BID:
£
CLOSED
Minimum bid is £220 (Bid increments are £10).
You are the highest bidder ! , but the reserve price has not been met.
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Luke Burton - Ambivalent Men Hiding Under Fountain
ink on paper 70cm x 50cm
Kindly donated by Luke Burton
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SIGNED IN AS :
WORK 21
£ 290
0
NOT STARTED
Paul Coldwell —What remains-Shadow
Paul Coldwell —What remains-Shadow
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 290
21
0
Highest bidder:
YOUR BID:
£
CLOSED
Minimum bid is £300 (Bid increments are £10).
You are the highest bidder ! , but the reserve price has not been met.
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Paul Coldwell — What remains-Shadow 2015 Edition 10. Paper size 56 x 65 cms Image size 30 x 40 cms Proofed by the artist & editioned at Artichoke Studio, London on 300gsm Somerset unframed
A portfolio of the four prints ‘What Remains’ were acquired by the dept. of Prints & Drawings at the British Museum in 2019.
Kindly donated by Paul Coldwell
Confirm your bid
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SIGNED IN AS :
WORK 134
£ 180
4
NOT STARTED
DJ Simpson - Nibble + Screw
DJ Simpson - Nibble + Screw
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 180
134
4
Highest bidder: Paul Tecklenberg
YOUR BID:
£
CLOSED
Minimum bid is £190 (Bid increments are £10).
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2017 Card and square headed screws 30 x 21cm Edition nr 10 of 10 signed
Kindly donated by DJ Simpson
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SIGNED IN AS :
WORK 60
£ 105
2
NOT STARTED
Chloe Brooks - Supermarket Series- Waitrose
Chloe Brooks - Supermarket Series- Waitrose
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 105
60
2
Highest bidder: Anonymous
YOUR BID:
£
CLOSED
Minimum bid is £110 (Bid increments are £5).
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2017 Inkjet print on 100g/m coloured sugar paper from Edition of 10 29.7 x 42cm Unframed
Kindly donated by Chloe Brooks
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SIGNED IN AS :
WORK 51
£ 185
1
NOT STARTED
Michael Ditchburn - Forecast
Michael Ditchburn - Forecast
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 185
51
1
Highest bidder: Patina Art
YOUR BID:
£
CLOSED
Minimum bid is £195 (Bid increments are £10).
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2020 29.7 X 20.6 cm Monoprint on paper, graphite, acetate Unframed
Kindly donated by Michael Ditchburn
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SIGNED IN AS :
WORK 54
£ 85
2
NOT STARTED
Alex Williamson - Yeah, Well
Alex Williamson - Yeah, Well
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 85
54
2
Highest bidder: Anonymous
YOUR BID:
£
CLOSED
Minimum bid is £90 (Bid increments are £5).
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2019 Ink on Paper 32 x 27cm framed
Kindly donated by Alex Williamson
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SIGNED IN AS :
WORK 27
£ 235
0
NOT STARTED
Charlotte Hodes — After the Taking of Tea #2
Charlotte Hodes — After the Taking of Tea #2
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 235
27
0
Highest bidder:
YOUR BID:
£
CLOSED
Minimum bid is £245 (Bid increments are £10).
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Charlotte Hodes — After the Taking of Tea #2 Laser cut relief prints with hand cut stencils on Somerset Satin paper size 52 x 38 cm Edition of 15 unframed
Published by Culford Press, created & printed at Oficina Bartolomeu Dos Santos (OBS) Tavira, Portugal in 2017, Charlotte Hodes.
This series of prints relates to a larger body of work After the Taking of Tea that consists of a ceramic installation running 17 metres, consisting of 250 pieces of tableware and intricate papercuts. The imagery plays with notions of tea and teatime, its historical importance in polite society and its contemporary role in which formality for the most part has been overturned. In the prints, the women make an appearance to playfully defy historical conventions. They nonchalantly stand whilst teapots and crockery form precarious headdresses that topple around them.
Kindly donated by Charlotte Hodes
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SIGNED IN AS :
WORK 130
£ 45
0
NOT STARTED
Sandy Christie - Human, not human
Sandy Christie - Human, not human
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 45
130
0
Highest bidder:
YOUR BID:
£
CLOSED
Minimum bid is £50 (Bid increments are £5).
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2018 Marker pen on Marker paper 23.5 x 31 cm Unique Unframed
Kindly donated by Sandy Christie
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SIGNED IN AS :
WORK 43
£ 160
1
NOT STARTED
Anna Reading- Rocks
Anna Reading- Rocks
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 160
43
1
Highest bidder: Anonymous
YOUR BID:
£
CLOSED
Minimum bid is £165 (Bid increments are £5).
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Marker Pen on paper (acid free) 30 x 21cm 2019
Kindly donated by Anna Reading
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SIGNED IN AS :
WORK 143
£ 300
1
NOT STARTED
Judith Dean - Metamorphosis
Judith Dean - Metamorphosis
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 300
143
1
Highest bidder: Anonymous
YOUR BID:
£
CLOSED
Minimum bid is £310 (Bid increments are £10).
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2020 Acrylic on mount board 69 x 47 cm signed
Kindly donated by Judith Dean
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SIGNED IN AS :
WORK 15
£ 210
2
NOT STARTED
Oona Grimes — The chorus
Oona Grimes — The chorus
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 210
15
2
Highest bidder: Anonymous
YOUR BID:
£
CLOSED
Minimum bid is £220 (Bid increments are £10).
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The chorus 2020 Clay and slip Approx : h: 5cm x d: 6cm x w: 4cm
Kindly donated by Oona Grimes
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SIGNED IN AS :
WORK 91
£ 220
2
NOT STARTED
Paul Garvey - Untitled
Paul Garvey - Untitled
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 220
91
2
Highest bidder: Charles Wilkinson
YOUR BID:
£
CLOSED
Minimum bid is £230 (Bid increments are £10).
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2017 Oil on Panel 67 x 33 cm
Kindly donated by Paul Garvey
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SIGNED IN AS :
WORK 39
£ 200
1
NOT STARTED
Rebeccca Stevenson - Explanation for a Dead Hare #1
Rebeccca Stevenson - Explanation for a Dead Hare #1
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 200
39
1
Highest bidder: Julian Pacey
YOUR BID:
£
CLOSED
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Rebeccca Stevenson - Explanation for a Dead Hare #1 2013 etching and aquatint on paper unframed 38 cm x 28 cm edition: 1/6
Kindly donated by Rebeccca Stevenson
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SIGNED IN AS :
WORK 99
£ 190
0
NOT STARTED
Benjamin Medd - Phillips - Somatic Sunrise
Benjamin Medd - Phillips - Somatic Sunrise
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 190
99
0
Highest bidder:
YOUR BID:
£
CLOSED
Minimum bid is £200 (Bid increments are £10).
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2018 Oil & ink on board 45 x 35 x 2 cm
Kindly donated by Benjamin Medd- Phillips
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SIGNED IN AS :
WORK 139
£ 50
1
NOT STARTED
Nina Wakeford - We will replace all men with machines
Nina Wakeford - We will replace all men with machines
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 50
139
1
Highest bidder: David Packer
YOUR BID:
£
CLOSED
Minimum bid is £55 (Bid increments are £5).
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Screen print on T-shirt (size M)
During a residency at the Barbican March 2019, Nina Wakeford used the public space to create a series of performances which resumed feminist critiques of science and technology from the 70s and 80s. She gathered and presented materials from feminist archives, proposing these critiques as tools for challenging current scientific and technological agendas. The T-shirts were worn by a group of female art technicians tasked with the take-down of the last exhibition in the series.
Kindly donated by Nina Wakeford
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SIGNED IN AS :
WORK 126
£ 55
2
NOT STARTED
Farwa Moledina - Interwoven 2
Farwa Moledina - Interwoven 2
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 55
126
2
Highest bidder: Karen Biddulph
YOUR BID:
£
CLOSED
Minimum bid is £60 (Bid increments are £5).
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2020 Digital Illustration on wallpaper 20 x 20cm Unique Unframed
Kindly donated by Farwa Moledina
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2018 4 Colours Screenprint on Somerset Satin 300gsm 75 x 55 cm Unframed From an edition of 36, printed by Jealous Gallery
Kindly donated by Oliver Fathers
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SIGNED IN AS :
WORK 3
£ 115
2
NOT STARTED
Katrin Hanusch — CLUB
Katrin Hanusch — CLUB
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 115
3
2
Highest bidder: Sacha Craddock
YOUR BID:
£
CLOSED
Minimum bid is £120 (Bid increments are £5).
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CLUB 2018 Edition 60 + 3 EA Gliceé on Hahnemühle FineArt Baryta sold unframed 40 x 60 cm
Kindly donated by Katrin Hanusch
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Wax, Cable and Microphone stand wax microphone: 20 x 6 x 6cm
Kindly donated by Phill Wilson- Perkin
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SIGNED IN AS :
WORK 29
£ 210
1
NOT STARTED
Sam Meredith — Half-Baked
Sam Meredith — Half-Baked
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 210
29
1
Highest bidder: Tom Hale
YOUR BID:
£
CLOSED
Minimum bid is £220 (Bid increments are £10).
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2019 Jesmonite, Pigments 34 (L) x 12 (w) x 5 (d) cm
Kindly donated by Sam Meredith
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SIGNED IN AS :
WORK 145
£ 100
1
NOT STARTED
Dale Wilson - Thirty Minutes Well Spent No 2
Dale Wilson - Thirty Minutes Well Spent No 2
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 100
145
1
Highest bidder: Anthony Carr
YOUR BID:
£
CLOSED
Minimum bid is £110 (Bid increments are £10).
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2014 AudioTape on Board 60 x 60 x 1.2 cm Unique Signed
Kindly donated by Dale Wilson
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SIGNED IN AS :
WORK 10
£ 500
1
NOT STARTED
Peter Jones — Andy Monkey
Peter Jones — Andy Monkey
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 500
10
1
Highest bidder: Helen Downie
YOUR BID:
£
CLOSED
Minimum bid is £525 (Bid increments are £25).
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Andy Monkey 2017 oil on canvas 25 x 25cm
Kindly donated by Peter Jones
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SIGNED IN AS :
WORK 72
£ 100
6
NOT STARTED
Abigail Burt - The Weight of Hope (2)
Abigail Burt - The Weight of Hope (2)
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 100
72
6
Highest bidder: Karen Brooks
YOUR BID:
£
CLOSED
Minimum bid is £105 (Bid increments are £5).
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2019 Bronze 12 x 4 x 0.3 cm Two of Three Each bronze feather is cast in bronze by the artist in her home studio foundry, using the lost-wax casting technique. Each feather is a unique replica of found feathers gathered along her travels.
Kindly donated by Abigail Burt
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SIGNED IN AS :
WORK 124
£ 420
1
NOT STARTED
Jeremy Deller - Untitled (Set of two prints)
Jeremy Deller - Untitled (Set of two prints)
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 420
124
1
Highest bidder: Sigrid Kirk
YOUR BID:
£
CLOSED
Minimum bid is £440 (Bid increments are £20).
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2018 Print 1 Screen print 68 x 50cm Glow in the dark paint on black paper. Cover image of the vinyl edition Freetail Dub, a collaboration with Adrian Sherwood Edition of 10, signed
Print 2 (Bats of America) Screenprint on paper 65 x 55 cm Edition of 50, signed
Kindly donated by Jeremy Deller
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WORK 121
£ 630
9
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Haroon Mirza - Photon and Friends
Haroon Mirza - Photon and Friends
Bidding starts on 15-04-2020 00:00
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121
9
Highest bidder: Anonymous
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2017 Lithograph on Mirri board 76.2 x 49.3 cm AP, signed All the known fundamental particles along with possible undiscovered ones. A variation of this pattern is depicted alongside a trompe l’œil image of a photovoltaic panel – a modern device capable of converting photons to energy. This Artist Proof, 1 of 10 has a unique message inscribed by the artist, “From lockdown with love”.
Kindly donated by Haroon Mirza
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WORK 79
£ 1,310
18
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Tom Ormond - Inner Space
Tom Ormond - Inner Space
Bidding starts on 15-04-2020 00:00
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£ 1,310
79
18
Highest bidder: Tom Hale
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SIGNED IN AS :
WORK 95
£ 425
0
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Connor Coulston - DADDY ISSUES BURR
Connor Coulston - DADDY ISSUES BURR
Bidding starts on 15-04-2020 00:00
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95
0
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2018 Glazed Ceramic, 22 Carat Gold Lustre, Resin 31 x 24 x 24 cm Unique
Kindly donated by Connor Coulston
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WORK 16
£ 145
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Zsuzsa Benke — Frutti di Mare No7
Zsuzsa Benke — Frutti di Mare No7
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16
0
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2016 Archival print on Hahnemühle Photo Rag Fine Art paper 249 x 166 mm
Kindly donated by Zsuzsa Benke
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SIGNED IN AS :
WORK 129
£ 50
1
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Sandy Christie - The future is buffering
Sandy Christie - The future is buffering
Bidding starts on 15-04-2020 00:00
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129
1
Highest bidder: Anonymous
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2018 Marker pen on Marker paper 23.5 x 31cm Unique Unframed
Kindly donated by Sandy Christie
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SIGNED IN AS :
WORK 123
£ 390
0
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Liam Tickner - Give and Take
Liam Tickner - Give and Take
Bidding starts on 15-04-2020 00:00
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123
0
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2017 Inkjet print and laser print in resin 75 x 60 x 2 Framed An image of a flower grown in the ISS layered on top of an image of a slice of a Muonionalusta meteorite.
Kindly donated by Liam Tickner
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WORK 26
£ 235
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Charlotte Hodes — After the Taking of Tea #1
Charlotte Hodes — After the Taking of Tea #1
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26
0
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Charlotte Hodes — After the Taking of Tea #1 Laser cut relief prints with hand cut stencils on Somerset Satin paper size 52 x 38 cm Edition of 15 unframed
Published by Culford Press, created & printed at Oficina Bartolomeu Dos Santos (OBS) Tavira, Portugal in 2017, Charlotte Hodes.
This series of prints relates to a larger body of work After the Taking of Tea that consists of a ceramic installation running 17 metres, consisting of 250 pieces of tableware and intricate papercuts. The imagery plays with notions of tea and teatime, its historical importance in polite society and its contemporary role in which formality for the most part has been overturned. In the prints, the women make an appearance to playfully defy historical conventions. They nonchalantly stand whilst teapots and crockery form precarious headdresses that topple around them.
Kindly donated by Charlotte Hodes
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WORK 93
£ 575
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Keith Roberts - Shannon
Keith Roberts - Shannon
Bidding starts on 15-04-2020 00:00
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93
0
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2008 Oil and collage on canvas 80 x 60 x 3.5 cm Painting based on a design by William Morris
Kindly donated by Keith Roberts
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SIGNED IN AS :
WORK 75
£ 400
1
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Jessie Floodpaddock - The Doberman
Jessie Floodpaddock - The Doberman
Bidding starts on 15-04-2020 00:00
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75
1
Highest bidder: Anonymous
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2012 Pencil on paper 43 x 32 cm
Kindly donated by Jessie Floodpaddock
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2020 Mono print on paper 21 x 14.7 cm Unframed
Kindly donated by Bea Bradley
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2019 Oil on hardwood ply panel 80 x 60cm
Kindly donated by Tom Wilmott
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SIGNED IN AS :
WORK 12
£ 1,000
0
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John Newling — Map with gilded plaster (two of three)
John Newling — Map with gilded plaster (two of three)
Bidding starts on 15-04-2020 00:00
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12
0
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2014 Gilded plaster and paint on paper H 67 cm x W56 cm x D 3 cm
Throughout my practice I have referred to the cartography of things; a continual mapping of thoughts, concepts and materials. In parallel with this I have also referred to the phrase ‘The map is not the territory’; a phrase commonly used by the Situational group in the 1960s. It could be argued that a desire to map twinned with an understanding that maps are not the actuality of our experience of place could be seen as oppositional. For me the cartographies I often refer to are tools that I use to map the complex interconnectivity of thoughts, materials and places. These are not precise maps but ones where the borders of things slip and change constantly and relationships between us and our environment are fluid. Maps are often associated with destinations. An abiding approach in my work is to gather sets of processes, materials, thoughts and places to see where they may begin to take me. This is not unlike the sense you get when walking without a destination in mind. Whilst there is often a conceptual or geological premise to the work it is allowed to meander through processes and material changes to open up my sense of its cartography. It is only in the middle of these works that a destination / artwork emerge. In this manner the map becomes both territory and conceptual, material destination. I guess much of my work is trying to find where here is. In this I know the maps become guides in this search. Each work adding to my sense of place where place refers to the complexity of the ecology of us within all the co-relationships we have with other things and species.
Kindly donated by John Newling
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2019 Print on matt etching paper signed Edition 1 of 10 89.5 x 64.5 cm Unframed
Kindly donated by Matthew Bamber
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2017 Photographic prints 18 x 18 cm each Unique (signed and dated on the back) Collaborative work
Kindly donated by Paul Good and Kirsty Wood
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SIGNED IN AS :
WORK 45
£ 55
1
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Robert Luzar - Corrected standing figure and image with Demonstration 5
Robert Luzar - Corrected standing figure and image with Demonstration 5
Bidding starts on 15-04-2020 00:00
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45
1
Highest bidder: Latifah Alsaid Stranack
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Correction pen on ink jet print 21 x 29.7cm Unframed 2020
Kindly donated by Robert Luzar
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2018 custom box made of wood and board with carbon transfer four bound pages carbon prints on mull and spider tissue two archival pigment prints on grit paper (sleeved) one unique archival pigment print on photorag one carbon transparency (loose) 25 x 50 cm (external dimensions of box when closed) Edition of 5
Kindly donated by Daniel Clark
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SIGNED IN AS :
WORK 13
£ 1,000
0
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John Newling — Map with gilded plaster (three of three)
John Newling — Map with gilded plaster (three of three)
Bidding starts on 15-04-2020 00:00
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13
0
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2014 Gilded plasters and paint on paper H 67 cm x W56 cm x D 3 cm
Throughout my practice I have referred to the cartography of things; a continual mapping of thoughts, concepts and materials. In parallel with this I have also referred to the phrase ‘The map is not the territory’; a phrase commonly used by the Situational group in the 1960s. It could be argued that a desire to map twinned with an understanding that maps are not the actuality of our experience of place could be seen as oppositional. For me the cartographies I often refer to are tools that I use to map the complex interconnectivity of thoughts, materials and places. These are not precise maps but ones where the borders of things slip and change constantly and relationships between us and our environment are fluid. Maps are often associated with destinations. An abiding approach in my work is to gather sets of processes, materials, thoughts and places to see where they may begin to take me. This is not unlike the sense you get when walking without a destination in mind. Whilst there is often a conceptual or geological premise to the work it is allowed to meander through processes and material changes to open up my sense of its cartography. It is only in the middle of these works that a destination / artwork emerge. In this manner the map becomes both territory and conceptual, material destination. I guess much of my work is trying to find where here is. In this I know the maps become guides in this search. Each work adding to my sense of place where place refers to the complexity of the ecology of us within all the co-relationships we have with other things and species.
Kindly donated by John Newling
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2018 Acrylic on compressed cement board in bespoke frame Polygon approx. 65cm x 85cm
Kindly donated by Dan Newso
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SIGNED IN AS :
WORK 125
£ 55
2
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Farwa Moledina - Interwoven 1
Farwa Moledina - Interwoven 1
Bidding starts on 15-04-2020 00:00
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£ 55
125
2
Highest bidder: Deborah Robinson
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2020 Digital Illustration on wallpaper 20 x 20cm Unique Unframed
Kindly donated by Farwa Modina
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SIGNED IN AS :
WORK 7
£ 145
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James Alec Hardy — 190711 063
James Alec Hardy — 190711 063
Bidding starts on 15-04-2020 00:00
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7
0
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2019 Giclee print on Hahnemuehle 308 40 x 50cm Unframed
Kindly donated by James Alec Hardy
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SIGNED IN AS :
WORK 2
£ 180
0
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Katrin Hanusch — CLUB
Katrin Hanusch — CLUB
Bidding starts on 15-04-2020 00:00
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£ 180
2
0
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2016 Kodak Premier Digital Metallic C-type paper (by Metro Imaging Ltd) Size framed 192 x 252 x 48 mm
Kindly donated by Katrin Hanusch
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SIGNED IN AS :
WORK 11
£ 1,000
0
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John Newling — Map with gilded plaster (one of three)
John Newling — Map with gilded plaster (one of three)
Bidding starts on 15-04-2020 00:00
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11
0
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2014 Gilded plasters and paint on paper H 67 cm x W56 cm x D 3 cm
Throughout my practice I have referred to the cartography of things; a continual mapping of thoughts, concepts and materials. In parallel with this I have also referred to the phrase ‘The map is not the territory’; a phrase commonly used by the Situational group in the 1960s. It could be argued that a desire to map twinned with an understanding that maps are not the actuality of our experience of place could be seen as oppositional. For me the cartographies I often refer to are tools that I use to map the complex interconnectivity of thoughts, materials and places. These are not precise maps but ones where the borders of things slip and change constantly and relationships between us and our environment are fluid. Maps are often associated with destinations. An abiding approach in my work is to gather sets of processes, materials, thoughts and places to see where they may begin to take me. This is not unlike the sense you get when walking without a destination in mind. Whilst there is often a conceptual or geological premise to the work it is allowed to meander through processes and material changes to open up my sense of its cartography. It is only in the middle of these works that a destination / artwork emerge. In this manner the map becomes both territory and conceptual, material destination. I guess much of my work is trying to find where here is. In this I know the maps become guides in this search. Each work adding to my sense of place where place refers to the complexity of the ecology of us within all the co-relationships we have with other things and species.
Kindly donated by John Newling
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SIGNED IN AS :
WORK 122
£ 420
9
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Richard Woods - Hammer with Red and Blue Paint
Richard Woods - Hammer with Red and Blue Paint
Bidding starts on 15-04-2020 00:00
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£ 420
122
9
Highest bidder: sadie morgan
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2020 Block printed and stencilled acrylic paint on birch plywood 55 x 26 cm
Kindly donated by Richard Woods
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SIGNED IN AS :
WORK 22
£ 290
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Paul Coldwell — What remains-Flowers
Paul Coldwell — What remains-Flowers
Bidding starts on 15-04-2020 00:00
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£ 290
22
0
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Paul Coldwell — What remains-Flowers 2015 Edition 10. Paper size 56 x 65 cms Image size 30 x 40 cms Proofed by the artist & editioned at Artichoke Studio, London on 300gsm Somerset
A portfolio of the four prints ‘What Remains’ were acquired by the dept. of Prints & Drawings at the British Museum in 2019.
Kindly donated by Paul Coldwell
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SIGNED IN AS :
WORK 55
£ 130
11
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Alex Williamson - Already Late
Alex Williamson - Already Late
Bidding starts on 15-04-2020 00:00
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£ 130
55
11
Highest bidder: David Preston
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2019 Ink on paper 36.5 x 28cm framed
Kindly donated by Alex Williamson
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SIGNED IN AS :
WORK 132
£ 50
1
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Lisa Cradduck - At the End of The Day
Lisa Cradduck - At the End of The Day
Bidding starts on 15-04-2020 00:00
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132
1
Highest bidder: Georgina Titheridge
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2012 Linoprint on Somerset paper 300gsm Unlimited Edition
Kindly donated by Lisa Cradduck
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SIGNED IN AS :
WORK 36
£ 390
7
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Natalie Lazarus — Untitled
Natalie Lazarus — Untitled
Bidding starts on 15-04-2020 00:00
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£ 390
36
7
Highest bidder: Tom Hale
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Natalie Lazarus — Untitled
2012 Oil paint and pencil on canvas 42 x 31 x 1.5 cm
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SIGNED IN AS :
WORK 70
£ 180
16
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Richard Shields - Technical Drawing
Richard Shields - Technical Drawing
Bidding starts on 15-04-2020 00:00
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70
16
Highest bidder: Katie Godwin
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2020 Print on Hahnemuehle Photo Rag paper 42 x 60 cm
This work forms part of the series 'Technical Drawings' looking at the rise of the art handler meme and the plight of artists supporting their practice.
Kindly donated by Richard Shields
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SIGNED IN AS :
WORK 25
£ 675
3
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Mark Beldan — Sulby
Mark Beldan — Sulby
Bidding starts on 15-04-2020 00:00
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£ 675
25
3
Highest bidder: Toby Ziegler
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Mark Beldan — Sulby 2020 Oil on linen 25 x 20
Kindly donated by Mark Beldan
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SIGNED IN AS :
WORK 138
£ 85
2
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Sanne Maloe Slecht - There, there
Sanne Maloe Slecht - There, there
Bidding starts on 15-04-2020 00:00
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£ 85
138
2
Highest bidder: Emily Durant
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2020 mixed media on paper 29.7 x 42cm Unique signed
Kindly donated by Sanne Maloe Slecht
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SIGNED IN AS :
WORK 96
£ 90
5
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Foka Wolf - People are Strange
Foka Wolf - People are Strange
Bidding starts on 15-04-2020 00:00
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£ 90
96
5
Highest bidder: Anonymous
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2020 250gsm print. 42 x 29.7 cm from a Limited edition of 50
Comes with postcard of it in situ and a sticker of the piece.
Kindly donated by Foka Wolf
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SIGNED IN AS :
WORK 104
£ 165
1
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Phillip Frankland - Untitled (Tree Painting)
Phillip Frankland - Untitled (Tree Painting)
Bidding starts on 15-04-2020 00:00
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£ 165
104
1
Highest bidder: Marie Leonard
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Oil on aluminium panel 58 x 45 cm
Kindly donated by Phillip Frankland
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SIGNED IN AS :
WORK 67
£ 190
0
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Susan Finlay - The Rolling Stones
Susan Finlay - The Rolling Stones
Bidding starts on 15-04-2020 00:00
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£ 190
67
0
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Acrylic on Linen 30 x 42 cm Unique
Kindly donated by Susan Finlay
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WORK 59
£ 210
4
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Rob Branigan - Yield I
Rob Branigan - Yield I
Bidding starts on 15-04-2020 00:00
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£ 210
59
4
Highest bidder: Birgit Maass
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2019 Digital C-Type Print Aluminium Frame with Tinted Perspex Edition 1 of 5 31 x 27 x 2cm
Kindly donated by Rob Branigan
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SIGNED IN AS :
WORK 62
£ 100
1
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Chloe Brooks - Supermarket Series- Morrisons
Chloe Brooks - Supermarket Series- Morrisons
Bidding starts on 15-04-2020 00:00
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£ 100
62
1
Highest bidder: Anonymous
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Supermarket Series - Morrisons 2017 Inkjet print on 100g/m coloured sugar paper from Edition of 10 29.7 x 42cm Unframed
Kindly donated by Chloe Brooks
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SIGNED IN AS :
WORK 71
£ 145
13
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Abigail Burt - The Weight of Hope (1)
Abigail Burt - The Weight of Hope (1)
Bidding starts on 15-04-2020 00:00
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£ 145
71
13
Highest bidder: Katy Lithgow
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2019 Bronze 18 x 2.5 x 0.2 cm One of three Each feather is cast in bronze by the artist in her home studio foundry, using the lost-wax casting technique. Each feather is a unique replica of found feathers gathered along her travels.
Kindly donated by Abigail Burt
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SIGNED IN AS :
WORK 86
£ 55
2
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Jonathan Trayner - Omnia Sunt Communia
Jonathan Trayner - Omnia Sunt Communia
Bidding starts on 15-04-2020 00:00
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£ 55
86
2
Highest bidder: Anonymous
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2017 Lino print on Canelleto paper Number 6 of unlimited edition 25 x 17.5 cm
Kindly donated by Jonathan Trayner
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SIGNED IN AS :
WORK 97
£ 290
0
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Robin Tarbet - Quadrilateral 4
Robin Tarbet - Quadrilateral 4
Bidding starts on 15-04-2020 00:00
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£ 290
97
0
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Flatland Series : Quadrilateral 4 > Edition No 2 of 3. Framed Concrete Relief Dimensions 50 x 50 x 4 cm (approx 6kg)
Part of an ongoing series of tessellated concrete reliefs made by casting circuit boards from obsolete technology
Kindly donated by Robin Tarbet
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2019 Jesmonite, Iron Powder, Polystyrene 27 x 32 x 15cm Originally created as part of my installatoin ;11/11; for the 'Art Prize Robert Schuman 2019’, which is a biennal art prize between the cities of Metz (F), Saarbrücken (D), Trier (D) and Luxembourg-City (L). Original (pictured) has been destroyed, hence I’d like to auction Nr. 1 of a new edition of 10, which will be individual handmade replicas of the work pictured. Will be supplied without the butt and ashes.
Kindly donated by Eric Schumacher
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2019 Dyed MDF, Risograph Prints, Spray Paint, Plastic Packers 51 x 37 x 43
Kindly donated by Jon Kipps
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SIGNED IN AS :
WORK 69
£ 390
0
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Douglas White - Octopus Drawing
Douglas White - Octopus Drawing
Bidding starts on 15-04-2020 00:00
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£ 390
69
0
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Octopus printed in its own ink Blotting Paper 42 x 56 cm 2019
Kindly donated by Douglas White
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SIGNED IN AS :
WORK 1
£ 190
1
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Katrin Hanusch — DICK
Katrin Hanusch — DICK
Bidding starts on 15-04-2020 00:00
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£ 190
1
1
Highest bidder: Anonymous
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2016 Kodak Premier Digital Metallic C-type paper (by Metro Imaging Ltd) Size framed 192 x 252 x 48 mm
Kindly donated by Katrin Hanusch
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SIGNED IN AS :
WORK 103
£ 290
0
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Gianluca DeMichele - CONSIDERATE CONSTRUCTOR
Gianluca DeMichele - CONSIDERATE CONSTRUCTOR
Bidding starts on 15-04-2020 00:00
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£ 290
103
0
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2019 Wall hung sculpture Gesso, coins, oil and acrylic paint on wood 36 x 29 x 6cm
Kindly donated by Gianluca DeMichele
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SIGNED IN AS :
WORK 105
£ 130
2
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James Wright - Drum and Stick
James Wright - Drum and Stick
Bidding starts on 15-04-2020 00:00
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£ 130
105
2
Highest bidder: Lucy Till
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2010 Stoneware and Porcelain mix, wood and tempera paint 20 x 16 x 9.5cm I have had the ceramic component for a while and instinctively play it as a drum with my thumbs when I pick it up. The different ceramic prongs produce slight variation in tone. Then I thought a drum deserves a stick.
Kindly donated by James Wright
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SIGNED IN AS :
WORK 120
£ 65
1
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Kevin Storrar - Tree of Life (Pieta)
Kevin Storrar - Tree of Life (Pieta)
Bidding starts on 15-04-2020 00:00
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£ 65
120
1
Highest bidder: Anonymous
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2020 Giclée print on 285gsm Hahnemühle Photorag paper 41 x 29.7cm signed AP Unframed
Kindly donated by Kevin Storrar
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SIGNED IN AS :
WORK 90
£ 100
9
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Peter Lamb - Repel the sound of Joy
Peter Lamb - Repel the sound of Joy
Bidding starts on 15-04-2020 00:00
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90
9
Highest bidder: Tom Hale
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2011 Ink on paper 29 x 21 cm Unique
Kindly donated by Peter Lamb
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SIGNED IN AS :
WORK 94
£ 190
0
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Guillermo Monroy - Violentcello
Guillermo Monroy - Violentcello
Bidding starts on 15-04-2020 00:00
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£ 190
94
0
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Woodcut Print on paper 24 x 19 cm Unique Unframed
Kindly donated by Guillermo Monroy
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SIGNED IN AS :
WORK 111
£ 450
7
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Mimei Thompson - Untitled (Yellow Butterfly)
Mimei Thompson - Untitled (Yellow Butterfly)
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
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BIDS:
£ 450
111
7
Highest bidder: Tom Hale
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2020 Oil on gesso panel 20x25cm Unframed
Kindly donated by Mimei Thompson
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SIGNED IN AS :
WORK 106
£ 150
1
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Victoria Fornieles - CUNTOGRAM: PISSTOOL Nr1 NY NOV
Victoria Fornieles - CUNTOGRAM: PISSTOOL Nr1 NY NOV
Bidding starts on 15-04-2020 00:00
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£ 150
106
1
Highest bidder: Jesse Peyronel
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2016 Pissed on C-type print 21.5 x 16.5 cm Unique
Kindly donated by Victoria Fornieles
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2019 Glazed stoneware and television bracket 44 x 31 x 3cm Unique
Kindly donated by James Lomax
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SIGNED IN AS :
WORK 140
£ 190
0
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Robert Hitzeman - Smoke (Polson Street Truckers)
Robert Hitzeman - Smoke (Polson Street Truckers)
Bidding starts on 15-04-2020 00:00
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£ 190
140
0
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2014 Truck tarp, spray paint on reclaimed plywood 122 x 94 x 2.5 cm Unique Signed
Kindly donated by Robert Hitzeman
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SIGNED IN AS :
WORK 84
£ 120
0
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Anna Lytridou - Time Forms 12
Anna Lytridou - Time Forms 12
Bidding starts on 15-04-2020 00:00
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£ 120
84
0
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Time Forms 12 2020 water colours, coloured pencils and pastel on paper 20,3 x 25,4 cm
Kindly donated by Anna Lytridou
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SIGNED IN AS :
WORK 83
£ 90
1
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Camille Deniau - Subtile Bark
Camille Deniau - Subtile Bark
Bidding starts on 15-04-2020 00:00
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£ 90
83
1
Highest bidder: Anonymous
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Paper embossing on 300gsm etching paper 30 x 24cm Edition 1 of 2, signed Unframed
Kindly donated by Camille Deniau
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SIGNED IN AS :
WORK 53
£ 590
0
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Patrick O'Sullivan - Misty Mountain High
Patrick O'Sullivan - Misty Mountain High
Bidding starts on 15-04-2020 00:00
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£ 590
53
0
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Mdf, wood, paint 128 x 73 x 20cm Wall mounted sculpture
Kindly donated by Patrick O'Sullivan
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SIGNED IN AS :
WORK 32
£ 200
1
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Andrew Ekins - Money Tree (No 94)
Andrew Ekins - Money Tree (No 94)
Bidding starts on 15-04-2020 00:00
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£ 200
32
1
Highest bidder: Tom Hale
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Ink and Acrylic on Paper 2016 32 x 24cm framed
Kindly donated by Andrew Ekins
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SIGNED IN AS :
WORK 63
£ 400
1
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Simon and Tom Bloor - The Sculptor
Simon and Tom Bloor - The Sculptor
Bidding starts on 15-04-2020 00:00
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£ 400
63
1
Highest bidder: Sigrid Kirk
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Title: The Sculptor 2017 Gouache on paper 40 x 55cm Unframed
One of a series of gouache drawings based on cartoons satirising modern art and design. Now devoid of the original punchline the drawings celebrate art rather than ridicule it.
Unique
Kindly donated by Simon and Tom Bloor
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SIGNED IN AS :
WORK 28
£ 235
0
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Charlotte Hodes — After the Taking of Tea #3
Charlotte Hodes — After the Taking of Tea #3
Bidding starts on 15-04-2020 00:00
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£ 235
28
0
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Charlotte Hodes — After the Taking of Tea #3 Laser cut relief prints with hand cut stencils on Somerset Satin paper size 52 x 38 cm Edition of 15 unframed
Published by Culford Press, created & printed at Oficina Bartolomeu Dos Santos (OBS) Tavira, Portugal in 2017, Charlotte Hodes.
This series of prints relates to a larger body of work After the Taking of Tea that consists of a ceramic installation running 17 metres, consisting of 250 pieces of tableware and intricate papercuts. The imagery plays with notions of tea and teatime, its historical importance in polite society and its contemporary role in which formality for the most part has been overturned. In the prints, the women make an appearance to playfully defy historical conventions. They nonchalantly stand whilst teapots and crockery form precarious headdresses that topple around them.
Kindly donated by Charlotte Hodes
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SIGNED IN AS :
WORK 73
£ 140
10
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Abigail Burt - The Weight of Hope (3)
Abigail Burt - The Weight of Hope (3)
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
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BIDS:
£ 140
73
10
Highest bidder: sadie morgan
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2019 Bronze 13.5 x 2.5 x 0.2 cm Three of three Each bronze feather is cast in bronze by the artist in her home studio foundry, using the lost-wax casting technique. Each feather is a unique replica of found feathers gathered along her travels.
Kindly donated by Abigail Burt
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SIGNED IN AS :
WORK 141
£ 190
0
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Robert Hitzeman - Tarp (Polson St Truckers
Robert Hitzeman - Tarp (Polson St Truckers
Bidding starts on 15-04-2020 00:00
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£ 190
141
0
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2014 Marble wall paper, window screen, spray paint on reclaimed plywood 122 x 90 x 2.5 cm Unique Signed
Kindly donated by Robert Hitzeman
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SIGNED IN AS :
WORK 144
£ 520
6
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Eva Rothschild - Eclipse
Eva Rothschild - Eclipse
Bidding starts on 15-04-2020 00:00
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£ 520
144
6
Highest bidder: Helen Mussard
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2018 Screen print 102.2 x 82.2 cm Edition of 30, with 5 AP
Kindly donated by Eva Rothschild
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SIGNED IN AS :
WORK 131
£ 85
5
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Johnathon Titheridge - Drawing of Alice Aycock, Tile Beginnings of a Complex . .
Johnathon Titheridge - Drawing of Alice Aycock, Tile Beginnings of a Complex . .
Bidding starts on 15-04-2020 00:00
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£ 85
131
5
Highest bidder: James Hutchins
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2020 Pen and ink drawing on paper 21 x 14.8cm Unique Unframed
Kindly donated by Jonathon Titheridge
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SIGNED IN AS :
WORK 35
£ 310
2
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Jackie Chettur & Benjamin Miller — St Thomas’s Hospital
Jackie Chettur & Benjamin Miller — St Thomas’s Hospital
Bidding starts on 15-04-2020 00:00
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£ 310
35
2
Highest bidder: Anonymous
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printed by Benjamin Miller — St Thomas’s Hospital 2015 screen print edition of 3 approx paper size is 50 x 70 cm
The story behind this image is: In 2015 I produced a project in Wales about romantic love, essentially a writing project, participants were offered writing workshops with published writers, but also invited to learn about printmaking and performance. Through the process I was encouraged to contribute my own love story and at this time Benjamin was seriously ill in St Thomas’s Hospital, London, where he spent two months. I structured a story around using the lift to visit him on the 11th floor and when he came out of hospital I encouraged him to make this screen print to illustrate my story. St Thomas’s is beloved to us both.
Kindly donated by Jackie Chettur & Benjamin Miller
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SIGNED IN AS :
WORK 33
£ 550
1
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Jefford Horrigan - Maurice
Jefford Horrigan - Maurice
Bidding starts on 15-04-2020 00:00
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BIDS:
£ 550
33
1
Highest bidder: Anonymous
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2019 Ink, Crayon, Emulsion paint on paper 70 x 58cm Framed This drawing was made in April 2019. It is a working drawing for a group of sculptures called Maurice using ceramic or glass combined with with fabric soaked in paint.
Kindly donated by Jefford Horrigan
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SIGNED IN AS :
WORK 128
£ 130
0
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Jo Longhurst - Untitled
Jo Longhurst - Untitled
Bidding starts on 15-04-2020 00:00
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£ 130
128
0
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2020 Archival inkjet print on Carson Baryta 25 x 19cm Edition 16 of 50
Kindly donated by Jo Longhurst
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SIGNED IN AS :
WORK 87
£ 105
1
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Alexander Hinks - Pivotal
Alexander Hinks - Pivotal
Bidding starts on 15-04-2020 00:00
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(Reserve not met !)
LOT #:
BIDS:
£ 105
87
1
Highest bidder: Philip Maurer
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£
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Minimum bid is £110 (Bid increments are £5).
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2018 Digital Print on canvas 21 x 15 cm
Kindly donated by Alexander Hinks
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SIGNED IN AS :
WORK 52
£ 490
0
NOT STARTED
Eva Gold - Kidney
Eva Gold - Kidney
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 490
52
0
Highest bidder:
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£
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Minimum bid is £500 (Bid increments are £10).
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2018 Jesmonite, Pigment 30 x 20 x 5 cm wall mounted sculpture
Kindly donated by Eva Gold
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SIGNED IN AS :
WORK 46
£ 50
0
NOT STARTED
Robert Luzar - In-Voices 2
Robert Luzar - In-Voices 2
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 50
46
0
Highest bidder:
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Minimum bid is £55 (Bid increments are £5).
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Two papers from 'duplicate book' with template lines retraced in carbon 23.5x20.5cm Unframed 2020
Kindly donated by Robert Luzar
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SIGNED IN AS :
WORK 68
£ 270
0
NOT STARTED
Miriam Austin - Lotus
Miriam Austin - Lotus
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 270
68
0
Highest bidder:
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£
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Minimum bid is £280 (Bid increments are £10).
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2018 20.6 x 33 cm C Type Print From edition of 3
Kindly donated by Miriam Austin
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SIGNED IN AS :
WORK 58
£ 140
0
NOT STARTED
Nicky Coutts - Awkward 3
Nicky Coutts - Awkward 3
Bidding starts on 15-04-2020 00:00
CURRENT PRICE:
(Reserve not met !)
LOT #:
BIDS:
£ 140
58
0
Highest bidder:
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£
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Minimum bid is £150 (Bid increments are £10).
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2020 acrylic paint and pen on paper 14.8 x 21cm
Kindly donated by Nicky Coutts
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