Costume renderings for The Bohemians from Longborough Festival Opera's production La Bohème.

Opera due be revived in 2027

Sarah has designed for venues in the UK and internationally including Sadler's Wells, The Globe, The Young Vic, Theatre Royal (Glasgow), Manchester Royal Exchange, Trafalgar Studios, Hampstead Theatre, The Oxford Playhouse, Richmond Theatre, The Lowry, Altes Schauspielhaus (Germany), Theatre Rigiblik (Switzerland), Freedom Theatre (Palestine) & Lit Live Festival (India). She is an Associate Artist of Engineer Theatre Collective and a visiting lecturer at the RCSSD.

Digital drawing printed on A3 Paper 297 x 420mm
Postage cost not included

Hand drawn costume drawing for Zenaida Yanowsky in Twyla Tharp ‘s 'Mr Worldly Wise', Royal Ballet 1995.

David Roger trained at Motley and has designed opera , ballet , theatre and film/TV for which he has been awarded an Emmy , two BAFTAs and four Royal Television Awards

500 x 400mm
Paper /pastel /crayon /pen & ink
Postage fee not included

Hand drawn costume drawing for Christina McDermott in Twyla Tharp ‘s 'Mr Worldly Wise', Royal Ballet 1995.

David Roger trained at Motley and has designed opera , ballet , theatre and film/TV for which he has been awarded an Emmy , two BAFTAs and four Royal Television Awards

500 x 400mm
Paper pen & ink
Postage fee not included

Hand drawn costume drawing for Sarah Wildor in Twyla Tharp ‘s 'Mr Worldly Wise', Royal Ballet 1995.

David Roger trained at Motley and has designed opera , ballet , theatre and film/TV for which he has been awarded an Emmy , two BAFTAs and four Royal Television Awards.

500 x 400mm
Paper /pastel /crayon /pen & ink
Postage fee not included

Set Design sketch and scale model of neon Lady Justice from 2022 West End / 2023 Broadway production of Prima Facie, written by Suzie Miller and directed by Justin Martin. The London production of the show was nominated for five Olivier Awards, won Best New Play and Best Actress for Jodie Comer, who subsequently won a Tony Award for the same role on Broadway. The play will embark on a national tour in 2026 starring Jodie Comer.

Prima Facie follows Tessa Ensler, a skilled defense barrister whose faith in the legal system is shattered when she becomes the victim of sexual assault. The play exposes the deep flaws in our justice system that often fails survivors of sexual violence.

Miriam Buether is a multi-award winning production designer, working internationally in theatre, opera and dance. She grew up in East Berlin and trained in theatre design in Germany and in London. She is the winner of the 2025 Tony Award, the Drama Desk Award, the Outer Critic’s Circle Award and the Olivier Award for Best Set Design for Stranger Things: The First Shadow. She is also three times Tony Award nominated for Prima Facie, Three Tall Women, To Kill a Mockingbird.

400 X 280 mm
Ink and pen on water colour paper
Price of postage not included

Item title:
Zainah’s Oranges

‘Zainah’s Oranges’ is an original wood engraving, signed & printed on awagami paper using traditional oil based ink.

When making this print I was thinking of my friend Zainah’s love of the colour & smell of fresh oranges picked in the gardens of her home town, Tulkarem & how that contrasts with the rich blue of the pottery and glassware of Al Quds & Al Khalil. The orange and blue is a joyful colour combination that celebrates these symbols of existence and resistance.

Ruth is a theatre designer & artist from London who loves collaborating with others to create live performance in all its forms including: Southbank Centre, National Theatre, The Bush, RSC, Opera North.

Paper size: 10cm x 15cm
Image size: 7cm x 4cm
Made April 2024

PJ Harvey "I inside the old year dying"
World Tour. 2023

Felt pen on paper drawing of PJ waiting to start rehearsing.
Hand drawn 297 x 420mm
P J Harvey is an incredible and inspiring artist, I am totally in awe … she rarely sits still but here she is for a few moments … waiting to go on … in rehearsals …with her rehearsal dress and shoes designed by her dear friend Todd Lynn… I’m designing the set

Printed drawing, hand coloured of Toby Jones as Uncle Vanya.

Harold Pinter Theatre. 2021.
Paper print and watercolours. 297 x 210mm.
Tobys’ Uncle Vanya was closed during Covid , and the set stood in the theatre , like the Marie Celeste , waiting for life to come back to it …. Almost a year later we came back , like ghosts in our own life !! And whilst we waited for theatres to open to the public we filmed it and later won a Sky Arts Award for doing so !!

Rae Smith is a set and costume designer who enjoys building environments and installations as much as she loves scenery. “ I feel Costume is a dynamic work in progress alongside the rehearsals , this is a drawing of Toby dressed as Vanya in a fitting , unusually still and thoughtful as he glimpses at his character forming in the mirror …. ❤️ “

Hello Dolly.
The Palladium. 2024
Red ink on paper costume sketch exploring Imelda Staunton’s Wedding dress for Dolly Gallagher.
Imelda Staunton is a Giant in British theatre, an inspiration to all of us working with her and has the most brilliant dynamic energy . Red seemed like the best colour for Dolly’s wedding dress. This was one of 3 different ink sketches exploring super saturated red and shape as a vibrant expression of life and passion in her both Dolly and Imelda !! ❤️

Paper and red ink
Hand drawn
297 x 210mm

Dress Rehearsal drawing of the three witches Macbeth at the Garrick Theatre, 2018. Signed by the designer.

Mayou is a set and costume designer working in Theatre, film, opera and musicals. http://www.mayoutrikerioti.com

Print and watercolour on A4 watercolour paper.
Postage fee not included

Print of original on Watercolour paper for Captain Corelli's Mandolin (Rose theatre, Leicester Curve, Pinter Theatre West End) 2018-2019 directed by Melly Still.

Print signed by the Costume Designer.

Mayou is a set and costume designer working in Theatre, film, opera and musicals. http://www.mayoutrikerioti.com

Watercolour, pen and print, A4
Postage fee not included

Three costume drawings of Pauline Fossil, Great Uncle Matthew, and Corp de Ballet from the Olivier, National Theatre's 2025 production of 'Ballet Shoes'.

Samuel Wyer is a theatre designer, puppet maker, and illustrator. His creative practice as an artist is focused heavily on texture and character, with a unique illustrated style that evokes uncanny heightened realities and otherworldly dreams.

Directed by Katy Rudd. The production of Ballet Shoes at The National , based on the book enduringly loved family novel by Noel Streatfield, Ballet Shoes is a production about family, friendships, accepting yourself and others, and art as survival in an uncertain world.

A3 - 420 x x297mm
200 GSM paper
Postage fee not included

This signed costume design by Katie Lias was created for Sir Phillip, who was played by Sir Stephen Fry in the Criterion Theatre West End production of 'Bleak Expectations', 2023.

Katie Lias is an award-winning Theatre Designer based in the UK.

Print on paper
210 x 297
Postage fee not included

This signed costume design by Katie Lias depicts some of the haberdashery themed costumes worn by the ensemble. Katie received the UK Pantomime Award for Best Costume Design for her work on this production.

Katie Lias is an award-winning Theatre Designer based in the UK.

Print on paper
210 x 297
Postage fee not included

Costume drawing for Benjamin Button, The Curious Case of Benjamin Button.
Book and Lyrics by Jethro Compton, Music and Lyrics by Darren Clark

Anna is a theatre designer based in North London.
She trained at the Royal Welsh College of Music and Drama, graduating in 2015.
Anna completed a year with the Royal Shakespeare Company as a resident assistant designer (Leverhulme Arts Scholarship) 2018-19.
She is an associate artist at The Watermill Theatre and a creative learning practitioner at Richmond Theatre.

watercolour on paper
H: 27.3cm x W 39.8cm
Postage cost not included

Costume drawing for Mary Button & Roger Button, The Curious Case of Benjamin Button.
Book and Lyrics by Jethro Compton, Music and Lyrics by Darren Clark

Anna is a theatre designer based in North London.
She trained at the Royal Welsh College of Music and Drama, graduating in 2015.
Anna completed a year with the Royal Shakespeare Company as a resident assistant designer (Leverhulme Arts Scholarship) 2018-19.
She is an associate artist at The Watermill Theatre and a creative learning practitioner at Richmond Theatre.

watercolour on paper
H: 27.3cm x W 39.8cm
Postage cost not included

Printed digital costume drawing of Roxane from the current Royal Shakespeare Company production of 'Cyrano de Bergerac'.

Grace Smart is a British set and costume designer. She has created work for leading venues including the Royal Shakespeare Company, Shakespeare’s Globe, and the Royal Opera House.

Painted and digitally scanned collage
Printed on A4
Postage fee not included

Bear costume drawing from Theatre Royal Stratford East's Production of 'The Wonderful World of Dissocia', directed by Emma Baggott.

Grace Smart is a British set and costume designer. She has created work for leading venues including the Royal Shakespeare Company, Shakespeare’s Globe, and the Royal Opera House.

Digital print on paper
A4 - 210 x 297 mm
Postage fee not included

A costume drawing from the 2023 RSC and 2024 Royal Court show 'Cowbois' written by Charlie Josephine, directed by Charlie Josephine & Sean Holmes.

The actual costume is on display currently at the RSC, it was originally worn by LJ Parkinson.

Grace Smart is a British set and costume designer. She has created work for leading venues including the Royal Shakespeare Company, Shakespeare’s Globe, and the Royal Opera House.

Digital print on paper
A4 - 210 x 297 mm
Postage fee not included

Costume drawing for Hero from the Shakespeare's Globe 2024 production of 'Much Ado About Nothing'.

Grace says: "For this drawing I hand painted splotches/brush strokes, before scanning them in, and layering the textures to demonstrate how rich the orange tones could be."

Grace Smart is a British set and costume designer. She has created work for leading venues including the Royal Shakespeare Company, Shakespeare’s Globe, and the Royal Opera House.

Digital print on paper
A4 - 210 x 297 mm
Postage fee not included

Original costume drawing for Joey for the production of Harold Pinter’s ‘The Homecoming’ (2024) at The Young Vic, with Set and Costume design by Moi Tran, directed by Matthew Dunster. Signed by both Moi Tran and Matthew Dunster.

Moi Tran is a Vietnamese Artist working across Fine Art and Design for Performance.

297mm x 420mm
Cartridge paper.
Postage fee not included.

1:25 model of a white cast iron bench inspired by ornate Victorian garden furniture. Originally made for an opera of 'Little Women' (never realised) at The Sherman with Royal Welsh College of Music and Drama, February 2020.

Emeline says "This model is from my studies at Royal Welsh College, so brings with it some nostalgia… for the laser cutter…!"

Emeline Beroud is a theatre designer and artist working in the UK and France. Free Palestine

Hand drawn costume design of Bertha Mason for ‘Jane Eyre’ (2015) played by Melanie Marshall and designed by Katie Sykes.

“Jane Eyre, originally devised at the Bristol Old Vic was then reimagined for the National Theatre in 2015. Excitingly, this dress was then made by the brilliant NT costume department and consequently included many beautiful new details. We wanted Bertha to look glorious - a woman with strength and dignity - not the typical madwoman in the attic image. Melanie sang her entire role and the production includes her amazing rendition of Gnarls Barkley’s Crazy .” - Katie Sykes, designer

Sykes is a costume designer most known for National Theatre Live: Jane Eyre (2015), Wonderboy: Bristol Old Vic (2023) and Make-Up: A Glamorous History (2021).

210mm x 297mm on paper.

Price of Postage Not Included.

Digital print of costume drawings for 'Message In A Bottle' (Sadler's Wells, Universal Music UK) at the Peacock Theatre, London and subsequent international tour.

Anna Fleischle is a multi-award winning stage and costume designer based in London. She has worked internationally in theatre, opera and dance.

472mm x 320mm
A3 art print on Hahnemuehle German Etching Paper.
Postage fee not included

A4 print of some of the storyboard images for the 2023 West End Premiere of the Pillowman by Martin McDonagh at the Duke of York Theatre - with cast including Lily Allen and Steve Pemberton. The show was directed by Matthew Dunster and produced by James Bierman / Empire Street Productions.

Anna Fleischle is a multi-award winning stage and costume designer based in London. She has worked internationally in theatre, opera and dance.

200mm x 301mm
A4 art print on Hahnemuehle German Etching Paper.
Postage fee not included

A collection of production photos and a costume drawing for the costumes of the chorus in the oratorio ‘Die Schöpfung” (The Creation) by Joseph Haydn at the opera Cologne in 2024. The oratorio depicts and celebrates the creation of the world as narrated in the Book of Genesis.

The chorus represents God’s civil servants, the ‘voices of God’ that relay his messages to humanity in a glorifying way. The masks make reference to the depiction of halos in classic works of art. Moreover they cover the face and only leave the mouth on show, the mouthpiece of god.

Production photos by Sandra Then.

All A4 on paper and photographic paper.

Merle works as a Designer for Theatre and Performance internationally in a wide variety of styles and genres. With an extensive list of Theatre, Opera and Dance lists some include: The House of Bernarda Alba, Under Milk Wood; Top Girls (costume), Protest Song (National Theatre); A Streetcar Named Desire (Costume) (Almeida / West End / BAM, New York); The Cherry Orchard (costume) (Donmar/ St Ann’s Warehouse NY); King Lear (set), Romans, a novel (Almeida);Die Schöpfung Opera Cologne); Aida (set) (Royal Danish Opera); Until the Lions (Opéra National du Rhin);; Der Vetter Aus Dingsda (costumes)(Oper Graz); Lunatics (set) (Kunstfest Weimar);The Barbarians In Love (costumes); Sun (set); Political Mother (costumes) (Hofesh Shechter Company); Il Combattimento; Contagion (Shobana Jeyasingh Dance); 8 Minutes (costumes).

Price of Postage Not Included.

Storyboard for an unrealised version of The Great Gatsby. by Laura Hopkins.

Laura Hopkins is a set and costume designer for theatre, opera, dance and experimental performance. Since 2018 Laura has also been developing my own performance work combining formal experiment, political engagement and entertainment.

http://www.laurahopkins.co.uk

A4
Watercolor on paper.
Postage fee not included.

Storyboard for an unrealised version of The Great Gatsby. by Laura Hopkins.

Laura Hopkins is a set and costume designer for theatre, opera, dance and experimental performance. Since 2018 Laura has also been developing my own performance work combining formal experiment, political engagement and entertainment.

http://www.laurahopkins.co.uk

A4
Watercolor on paper.
Postage not included

A set of 12 designs charting the costume evolution over the 6 choruses of the
opera. These alternate between Palestinian and Jewish and the costume shifts -
performed on stage - are iterative and minimal.

The choruses in The Death of Klinghoffer are powerful and sometimes performed as stand alone pieces. In this production they progressed from biblical times through to 1995. Directed by Tom Morris, set designed by Tom Pye.

Chorus 1: Exiled Palestinians, biblical
Chorus 2: Exiled Jews, 1948
Chorus 3: Night Chorus, Palestinians, 1950s
Chorus 4: Ocean Chorus, Jews 1960s
Chorus 5: Desert Chorus, Palestinians 1970s
Chorus 6: Day Chorus, Jews, 1980s


Laura Hopkins is a set and costume designer for theatre, opera, dance and experimental performance. Since 2018 Laura has also been developing my own performance work combining formal experiment, political engagement and entertainment.

http://www.laurahopkins.co.uk

A4
Ink on Paper.

Price of Postage Not Included.

Hand drawn costume design for 1960s dancer from ‘Sinatra’. A song and dance spectacular at the london Palladium. Directed by David Leveaux, set designed by Tom Pye.

Laura Hopkins is a set and costume designer for theatre, opera, dance and experimental performance. Since 2018 Laura has also been developing my own performance work combining formal experiment, political engagement and entertainment.
http://www.laurahopkins.co.uk

A5
Watercolour on paper.

Price of Postage Not Included.

Storyboard for an unrealised version of The Great Gatsby. by Laura Hopkins.

Laura Hopkins is a set and costume designer for theatre, opera, dance and experimental performance. Since 2018 Laura has also been developing my own performance work combining formal experiment, political engagement and entertainment.

http://www.laurahopkins.co.uk

A4
Watercolor on paper.
Postage fee not included.

Storyboard for an unrealised version of The Great Gatsby. by Laura Hopkins.

Laura Hopkins is a set and costume designer for theatre, opera, dance and experimental performance. Since 2018 Laura has also been developing my own performance work combining formal experiment, political engagement and entertainment.

http://www.laurahopkins.co.uk

A4
Watercolor on paper.
Postage fee not included.

Storyboard for an unrealised version of The Great Gatsby. by Laura Hopkins.

Laura Hopkins is a set and costume designer for theatre, opera, dance and experimental performance. Since 2018 Laura has also been developing my own performance work combining formal experiment, political engagement and entertainment.

http://www.laurahopkins.co.uk

A4
Watercolor on paper.
Postage fee not included.

Storyboard for an unrealised version of The Great Gatsby by Laura Hopkins.

Laura Hopkins is a set and costume designer for theatre, opera, dance and experimental performance. Since 2018 Laura has also been developing my own performance work combining formal experiment, political engagement and entertainment.

http://www.laurahopkins.co.uk

A4
Watercolor on paper.
Postage fee not included.

Storyboard for an unrealised version of The Great Gatsby. by Laura Hopkins.

Laura Hopkins is a set and costume designer for theatre, opera, dance and experimental performance. Since 2018 Laura has also been developing my own performance work combining formal experiment, political engagement and entertainment.

http://www.laurahopkins.co.uk

A4
Watercolor on paper.
Postage fee not included.

Storyboard for an unrealised version of The Great Gatsby 8 sheets. by Laura Hopkins.

Laura Hopkins is a set and costume designer for theatre, opera, dance and experimental performance. Since 2018 Laura has also been developing my own performance work combining formal experiment, political engagement and entertainment.

http://www.laurahopkins.co.uk

A4
Watercolor on paper.
Postage fee not included.

Hand drawn costume design for Sword Swallower from Cosi Fan Tutte by Mozart designed by Laura Hopkins and performed at ENO (2014) and The Met (2018)

Laura Hopkins is a set and costume designer for theatre, opera, dance and experimental performance. Since 2018 Laura has also been developing my own performance work combining formal experiment, political engagement and entertainment.

http://www.laurahopkins.co.uk

A5
Watercolour on paper.

Price of Postage Not Included.

Hand drawn design for Marisha Wallace as Miss Adelaide in Guys and Dolls’ (2023) directed by Nicholas Hytner, choreographed by Alene Phillips and James Cousins and performed at The Bridge Theatre. Designed by Bunny Christie this includes Wallace’s black leather raunchy Cow-Girl "Bushel and a Peck" costume and her pink silk, drape, sparkle and mirror ball reveal for "Take Back Your Mink". Also included is a model "Hot Box" neon sign and some fabric swatches.

All of Christie’s items listed, including the neon signs and shoes and hats, were made from scratch by wonderfully talented tailors, cutters and makers, all based in London.The Design was nominated for an Olivier Award for both Best Set Design and Best Costume Design at the 2024 Olivier Awards at The Royal Albert Hall.

Bunny Christie is a multi-award winning Production Designer. She has worked extensively at The National Theatre, in The West End and on Broadway.

297mm x 420mm
Mixed media on cartridge paper.
Postage fee not included.

Hand drawn design for Celinde Schoenmaker's two looks as Sarah Brown in ‘Guys and Dolls’ (2023) directed by Nicholas Hytner, choreographed by Alene Phillips and James Cousins and performed at The Bridge Theatre. Designed by Bunny Christie these include her Mission Uniform and her sky blue silk dress for Havana which had to get wet and ripped everynight. The design includes a printed "Save a Soul" hat band and the model piece for the "Save a Soul" Mission.

All of Christie’s items listed, including the neon signs and shoes and hats, were made from scratch by wonderfully talented tailors, cutters and makers, all based in London.The Design was nominated for an Olivier Award for both Best Set Design and Best Costume Design at the 2024 Olivier Awards at The Royal Albert Hall.

Bunny Christie is a multi-award winning Production Designer. She has worked extensively at The National Theatre, in The West End and on Broadway.

297mm x 420mm
Mixed media on cartridge paper.
Postage fee not included

Hand drawn design for Andrew Richardson as Sky Masterson in Guys and Dolls’ (2023) directed by Nicholas Hytner, choreographed by Alene Phillips and James Cousins and performed at The Bridge Theatre. Designed by Bunny Christie this includes his fine wool NY suit, his pale linen Havana suit and his Mission uniform for his wedding. Also some model elements and suiting fabric swatches.

All of Christie’s items listed, including the neon signs and shoes and hats, were made from scratch by wonderfully talented tailors, cutters and makers, all based in London.The Design was nominated for an Olivier Award for both Best Set Design and Best Costume Design at the 2024 Olivier Awards at The Royal Albert Hall.

Bunny Christie is a multi-award winning Production Designer. She has worked extensively at The National Theatre, in The West End and on Broadway.

297mm x 420mm
Mixed media on cartridge paper.
Postage fee not included

Hand drawn design for Danny Mays as Nathan Detroit in ‘Guys and Dolls’ (2023) directed by Nicholas Hytner, choreographed by Alene Phillips and James Cousins and performed at The Bridge Theatre. Designed by Bunny Christie these include some models for the Set Design and a NY Cop uniform eventually cut from the production during previews.

All of Christie’s items listed, including the neon signs and shoes and hats, were made from scratch by wonderfully talented tailors, cutters and makers, all based in London.The Design was nominated for an Olivier Award for both Best Set Design and Best Costume Design at the 2024 Olivier Awards at The Royal Albert Hall.

Bunny Christie is a multi-award winning Production Designer. She has worked extensively at The National Theatre, in The West End and on Broadway.

297mm x 420mm
Mixed media on cartridge paper.
Postage fee not included

A model of Lawrence's Mini Cooper on a shag pile carpet for Abigail's Party directed by Jack Bradfield in 2024. Designed by renowned artist Anna Yates, it was a central part of the performance, that all of the characters could interact with throughout the show, and Lawrence (played by Leander Deeny) makes his first entrance and exit with it. This model mini was a gauntlet thrown down to the Northern Stage tech departments.

Anna Yates is a set and costume designer based in London. She has worked across theatre, opera, dance and film in London, New York and Sydney.

165mm x 200mm x 70mm.
Plastic, card and fabric.
Postage fee not included.

Digital costume drawing from 'Taming of the Shrew' at the Globe theatre, July 2024. This work was a collaboration with the illustrator George Wheeler.

Rosie Elnile is an award winning set and costume designer working between opera, theatre and live art.

270 x 410mm
Postage fee not included.

1:25 scale model of the tent from 'The Other Place' NT 2024, directed by Alexander Zeldin

Rosanna Vize is a critically acclaimed award-winning international designer, working across multiple platforms of design in opera, theatre, TV and film.

Card, paper and paint.
See measurements on photos.

Postage cost not included.

1:25 Scale models of the giant bunny from the Bush Theatre production of 'Harm' by Phoebe Eclair-Powell in 2021. (With and without stuffing).

Rosanna Vize is a critically acclaimed award-winning international designer, working across multiple platforms of design in opera, theatre, TV and film.

Modelling clay and paint.
See dimensions on photo.
Postage cost not included.

Digital costume drawing for Puck from ‘A Midsummer Night’s Dream’, britten performed at the Opera Orchestre National Montpellier (2019) by award-winning costume and set designer Annemarie Woods.

Annemarie is a set and costume designer for theatre, opera, and film. In October and November 2013, she was commissioned by Hermes to design a series of windows for their UK stores.

Signed by designer.
Dimensions: A4
Material: Paper
Postage fee not included

Hand drawn set drawing of the thieves kitchen for ‘Oliver!’ the musical at the London Palladium from 1994 by Tony and Olivier award winning set & costume designer Anthony Ward. Signed by Anthony Ward.

420mm x 295mm
Paper print

Postage fee not included.

Hand drawn set design for ‘The Height of the Storm’ (2018) at the Wyndhams theatre by Tony and Olivier award winning set and costume designer Anthony Ward. Signed by Anthony Ward.

420mm x 300mm
Postage fee not included
Draughting Paper

Hand drawn group costume design for The Women by Anthony Ward in ‘Liola’ (2013) directed by Richard Eyre and performed at the National Theatre Lyttelton. Signed by Anthony Ward.

325mm X 760mm on paper
Postage fee not included.

Hand drawn costume design for Gillian Anderson in her role as Nora in ‘A Doll’s House’ (2009) directed by Kfir Yefet and performed at the Donmar Warehouse. Designed by Tony and Olivier award winning set and costume designer Anthony Ward. Signed by Anthony Ward.

500mm x 400mm
Paper
Postage fee not included.

Hand drawn costume design for the character Eleanore in ‘‘Schikaneder’ (2016). A musical with music by Stephen Schwartz, directed by Trevor Nunnperformed at the Raimund Theatre Vienna. Designed by Tony and Olivier award winning set and costume designer Anthony Ward. Signed by Anthony Ward.

410mm x 305mm
Paper
Postage fee not included.

Hand drawn costume design of Josephine’s coat for ‘Josephine and I’ (2013). Was originally made for Cush Jumbo who played the character of The Girl and Josephine baker who had multiple costume changes, but this one didn’t actually make it to the stage. Designed by Tony and Olivier award winning set and costume designer Anthony Ward.

Dimensions: 420mm x 295mm
Material: Paper
Postage fee not included.

Digital costume drawing of Caliban for the Royal Shakespeare Company’s 'First Encounters with Shakespeare: The Tempest' (2025). Directed by Aaron Parsons the show toured venues and schools in the north of the UK, made for young audiences to be introduced to the work of Shakespeare. Parsons highlighted the colonial narrative making colour conscious casting Ariel and Caliban being global majority actors and Prospero being cast as a British Caucasian. They strayed away from portraying Caliban a monster, but instead showing his humanity so that he could free himself from the chain over his chest at the end. The chains left stains on him highlighting the lingering effects of colonialism on oppressed peoples.

Aldo is a Mexican set and costume designer based in the UK. He trained at Bristol Old Vic Theatre School with an MA in Theatre Design, and a BA in Visual Arts from the UNAM/ ENAP, México City. He has 10 years of experience and has worked both in México and the UK collaborating with international directors and actors from Argentina, Canada, China, México, USA, UK, and Switzerland.

Dimensions: 297 mm x 420 mm
Material: Paper

Postage fee not included.

Original costume drawings by Aldo Vazquez for Blood Wedding (2024) for the Moon & Beggar characters. These drawings mark Vazquez’s return to drawing with no digital tools used in making them. His deep love for Frederico Garcia Lorca’s writing fueled his work on these pieces. Signed by Vazquez.

Aldo is a Mexican set and costume designer based in the UK. He trained at Bristol Old Vic Theatre School with an MA in Theatre Design, and a BA in Visual Arts from the UNAM/ ENAP, México City. He has 10 years of experience and has worked both in México and the UK collaborating with international directors and actors from Argentina, Canada, China, México, USA, UK, and Switzerland.

297 mm x 420 mm on paper
Postage fee not included.

Signed sketch book of hand drawn preliminary costume ideas by renowned artist Amy Cook for Lulu an opera by Alan Berg. The sketches were created using pencil and acrylic.

Amy Jane Cook is a UK-based theatre designer specialising in set and costume design, whose work spans both new writing and classic productions. She trained on the Motley course and has achieved several honours, including winning the Wales Theatre Award for Best Design in 2017. Her credits include designs for Boys From The Blackstuff and Jellyfish (National Theatre), Tick Tick...Boom! (Theatre Clwyd), and Private Lives (Bolton Octagon & UK tour).

242 mm x 192 mm
Paper
Postage fee not included

A 1.25 scale model of a museum display dinosaur from ‘On The Town’ (2019) by Leonard Bernstein, performed at the Hyogo Performing Arts Centre and Kobe and Bunka Kaikan Theatre ,Tokyo. Within the show this Dinosaur is knocked into and collapses. Created by Antony McDonald.

Antony is a Royal Designer for Industry and a Director, trained on the Motley design course.

35mm x 20mm
Card, paper and metal wire.
Postage fee not included.

Performed on the floating stage Bregenz, Austria these photos are of the stage design for ‘Ballo in Maschera’ (1999/2000). Designed by renowned designer Antony McDonald and the production’s director Richard Jones, the set had to withstand two years of changing weather. The photos show the set in winter and summer and these designed were on front covers of newspapers worldwide.

Antony is a Royal Designer for Industry and a Director, trained on the Motley design course.

25cm x 25cm
Mixed media on cartridge paper.
Postage fee not included.

Costume drawing for Sir Bernard Spilsbury played by Olivier and Tony winner Jak Malone. Digital and hand drawn print. From the award winning musical ‘Operation Mincemeat’ (2023) by David Cumming, Felix Hagan, Natasha Hodgson, and Zoë Roberts. Directed by Rob Hastie and designed by Ben Stones.

Ben is an Olivier nominated stage designer who trained at Central Saint Martin’s College of Art and went on to receive a Linbury Prize commission to design Paradise Lost for Rupert Goold. His designs now span theatre, dance, comedy, fashion and Musicals.

A3 on paper.
Postage fee not included

Costume design for the number “All The Ladies” from the Olivier Award winning musical Operation Mincemeat. Digital and hand drawn print. From the Olivier Award winning Best New Musical ‘Operation Mincemeat’ (2023) by David Cumming, Felix Hagan, Natasha Hodgson, and Zoë Roberts. Directed by Rob Hastie and designed by Ben Stones.

Ben is an Olivier nominated stage designer who trained at Central Saint Martin’s College of Art and went on to receive a Linbury Prize commission to design Paradise Lost for Rupert Goold. His designs now span theatre, dance, comedy, fashion and Musicals.

A3 on paper.
Postage fee not included.

Original hand drawn costume drawing for ‘An American in Paris’ (2025) Choreographed by Christopher Wheeldon and designed by Bob Crowley. Performed by the Royal Ballet at the Royal Opera house.

Bob Crowley RDI is a theatre scenic and costume designer, and theatre director. Known for his work both on West End and Broadway, he lives between London, New York and West Cork.

365mm x 296mm (inc.mount)
Postage fee not included.

A psychological contemporary reinterpretation of Alice in Wonderland, focusing on Alice's complete psychological breakdown within a hospital setting. The familiar journey into Wonderland is recast as a terrifying hallucination, where her doctors, nurses, and carers are transformed into distorted, menacing Wonderland characters. The Doctors is hallucinated by Alice as the Mad hatter, the white Rabbit as the nurse and Dormouse a sedated patient in the Mad hater endless medicated tea party. This concept serves as the foundation for the Linbury Prize 2021 finalist exhibition design.

The collections from reimagined Alice in Wonderland were part of the 2021 Linbury exhibition.

Ruth is a stage and costume designer based in London working across theatre, fashion and film. A selection of Her work in theatre includes; The Purist at the Kiln Theatre, Home song at the Unicorn theatre 1984 at Hackney town hall.

A3
4 digital costume designs on card. Signed.
Postage fee not included.

Costume design by Bridgitte Reiffenstuel for “Wardrobe” in ‘Stranger Things: The First Shadow’ (2023). Unique one off, hand drawn design.

Bridgitte is a costume designer working in opera, musicals and plays.
http://www.brigittereiffenstuel.com

A3 on paper.
Postage fee not included.

Costume design by Bridgitte Reiffenstuel for “Art Department” in ‘Stranger Things: The First Shadow’ (2023). Unique one off, hand drawn design.

Bridgitte is a costume designer working in opera, musicals and plays. http://www.brigittereiffenstuel.com

A3 on paper.
Postage fee not included.

Costume design by Bridgitte Reiffenstuel for “The Play/ Dark of the Moon” in ‘Stranger Things: The First Shadow’ (2023). Unique one off, hand drawn design.

Bridgitte is a costume designer working in opera, musicals and plays.

http://www.brigittereiffenstuel.com

A3 on paper.
Postage fee not included.

Costume design by Bridgitte Reiffenstuel for Claudia in “The Play/ Dark of the Moon” in ‘Stranger Things: The First Shadow’ (2023). Unique one off, hand drawn design.

Bridgitte is a costume designer working in opera, musicals and plays.

http://www.brigittereiffenstuel.com

A3 on paper.
Postage fee not included

This early digital storyboard collage from Cyrano De Bergerac by Chloe Lamford was created for use in the Comedie Française, Paris in 2023. Signed and dated on the back.

From 2003 to present, Chloe Lamford has created many performance spaces, all over the world. She is known for her atmospheric and unusual creations, ranging from installation and immersive spaces to theatre and opera, collaborating across art forms including music, contemporary visual art, new writing and more traditional theatre practice.

11 x 17 Inches
Giclee on Hahnemuhle Pearl paper
Postage fee not included

This fine art photograph is from an art photo series made in theatres all over Europe over a 5 year period by Chloe Lamford.

From 2003 to present, Chloe Lamford has created many performance spaces, all over the world. She is known for her atmospheric and unusual creations, ranging from installation and immersive spaces to theatre and opera, collaborating across art forms including music, contemporary visual art, new writing and more traditional theatre practice.

280mm x 224mm with border
Photographic giclee print on Hahnemühle Fine Art Pearl 285gsm paper
Postage fee not included

During the making of ‘Harry Potter and the Cursed Child’ jones designed wands for the characters in the play, and then Brett Banakis and Jones created wand drawings for everyone who worked on the show as opening night gifts. Inlustret Lumine is Latin for Let the Light Shine. These words are inlaid on the front of the stage facing the actors in honor of their beautiful work. This drawing is a compilation of all of the wands they created.

Christine Jones won a Tony and Olivier Award for her work on Harry Potter and the Cursed Child. Jones is a director, designer, and educator. Banakis and Jones collaborate frequently, often as part of the AMP collective which they founded to amplify emerging and underrepresented designers. They are based in New York City and are grateful to participate in this auction.

A3.
Postage fee not included.

Hand drawn costume drawing for Alice from Brixton House’s 2022/2023 production of ‘Alice in Wonderland’ designed by Debbie Duru.

In this production Alice is reimagined as a school girl who hops onto a train at Brixton underground station which takes her into the world of Wonderland. In the final contest between her and the Queen, Alice turns her school blazer inside out to reveal a beautiful pattern that encapsulates the tube lines.

Debbie Duru is a Designer for Performance space. Her work spans theatre, film, fashion, dance and opera. She works across the different genres with an interest in how design can evoke spaces in which to feel.

Recent design credits include, woman.life.song at Birmingham Opera Company, A Christmas Carol, and The White Card at Northern Stage, Bright Places at Birmingham Rep, How I learned to Swim at Roundabout/Brixton house and Re:Discover Festival for Streetwise Opera.

Postage fee not included.

This Brasserie mural sketch for ‘Josephine’ (2020) was performed at the Theatre Royal Bath and designed by Debbie Duru. In a failing New York brasserie, Josephine Baker and her legendary status as a resistance fighter, mother, activist and performer.

Debbie Duru is a Designer for Performance space. Her work spans theatre, film, fashion, dance and opera. She works across the different genres with an interest in how design can evoke spaces in which to feel.

Recent design credits include, woman.life.song at Birmingham Opera Company, A Christmas Carol, and The White Card at Northern Stage, Bright Places at Birmingham Rep, How I learned to Swim at Roundabout/Brixton house and Re:Discover Festival for Streetwise Opera.

Postage fee not included.

Hand drawn hanging Cupid Illustration made by Debbie Duru for the 2022 Youth production of ‘The Forest Awakens’ at the Kiln Theatre.

Debbie Duru is a Designer for Performance space. Her work spans theatre, film, fashion, dance and opera. She works across the different genres with an interest in how design can evoke spaces in which to feel.

Recent design credits include, woman.life.song at Birmingham Opera Company, A Christmas Carol, and The White Card at Northern Stage, Bright Places at Birmingham Rep, How I learned to Swim at Roundabout/Brixton house and Re:Discover Festival for Streetwise Opera

400mm X 340mm
Foamex.
Postage fee not included.

This unreleased costume drawing by Debbie Duru for Husz for ‘A Bright room called Day’.

‘A Bright room called Day’ is about a group of friends in 1930s Germany that grapple with the rise of facism that is happening around them. Despite their identity as artists and activists their own politics begins to be tested as the reality of the situation begins to fracture their microcosm and ultimately their personal beliefs.

Debbie Duru is a Designer for Performance space. Her work spans theatre, film, fashion, dance and opera. She works across the different genres with an interest in how design can evoke spaces in which to feel.

Recent design credits include, woman. Life.song at Birmingham Opera Company, A Christmas Carol, and The White Card at Northern Stage, Bright Places at Birmingham Rep, How I learned to Swim at Roundabout/Brixton house and Re:Discover Festival for Streetwise Opera.

Postage fee not included

Three colour screen print
Paper: Munken Pure Rough 250gsm
Paper size: A1 (594x841mm)
Bleed: 5mm sides and top 1cm bottom
Edition: 100

Ellie Foreman-Peck is an artist and illustrator based in East London. Her commercial work ranges from humorous caricatures to bold editorials and prints, visualising narratives and ideas with expressive line work, collage or photomontage. As well as editorial and commercial briefs, Ellie’s practice includes painting, ink work, screen and mono printing as well as ceramics. Inspiration and influence come from a wide range of places, particularly the work of Hogarth for his sequential visual storytelling and Gillray, Inspiration and influence come from a wide range of places, particularly the work of Hogarth for his sequential visual storytelling and Gillray, George Grosz, Daumier and Ralph Steadman for their expressive use of line, lampooned characters and witty satires. She has always greatly admired the traditional Japanese woodcut prints for their storytelling, colour, composition and texture along with Aubrey Beardsley for his dark and decorative depictions of narratives. Clients include: The Guardian, The New Statesman, The Economist, The New York Review of books, The Idler, Random House, Pentagram and The New Yorker.

Postage fee not included.

Screen Print

Ellie Foreman-Peck is an artist and illustrator based in East London. Her commercial work ranges from humorous caricatures to bold editorials and prints, visualising narratives and ideas with expressive line work, collage or photomontage. As well as editorial and commercial briefs, Ellie’s practice includes painting, ink work, screen and mono printing as well as ceramics. Inspiration and influence come from a wide range of places, particularly the work of Hogarth for his sequential visual storytelling and Gillray, Inspiration and influence come from a wide range of places, particularly the work of Hogarth for his sequential visual storytelling and Gillray, George Grosz, Daumier and Ralph Steadman for their expressive use of line, lampooned characters and witty satires. She has always greatly admired the traditional Japanese woodcut prints for their storytelling, colour, composition and texture along with Aubrey Beardsley for his dark and decorative depictions of narratives. Clients include: The Guardian, The New Statesman, The Economist, The New York Review of books, The Idler, Random House, Pentagram and The New Yorker.

Postage fee not included

25. ‘Barbican Botanicals II’ by Ellie Forman-Peck

Three colour screen print - Edition 100
PaperL Munken Pure Rough 250gsm
Bleed: 5mm sides and top 1cm bottom
A1 - 594 x 841mm

Ellie Foreman-Peck is an artist and illustrator based in East London. Her commercial work ranges from humorous caricatures to bold editorials and prints, visualising narratives and ideas with expressive line work, collage or photomontage. As well as editorial and commercial briefs, Ellie’s practice includes painting, ink work, screen and mono printing as well as ceramics. Inspiration and influence come from a wide range of places, particularly the work of Hogarth for his sequential visual storytelling and Gillray, Inspiration and influence come from a wide range of places, particularly the work of Hogarth for his sequential visual storytelling and Gillray, George Grosz, Daumier and Ralph Steadman for their expressive use of line, lampooned characters and witty satires. She has always greatly admired the traditional Japanese woodcut prints for their storytelling, colour, composition and texture along with Aubrey Beardsley for his dark and decorative depictions of narratives. Clients include: The Guardian, The New Statesman, The Economist, The New York Review of books, The Idler, Random House, Pentagram and The New Yorker.

Postage fee not included.

Three colour screen print
Paper: Munken Pure Rough 250gsm
Paper size: A1 (594x841mm)
Bleed: 5mm sides and top 1cm bottom
Edition: 100

Ellie Foreman-Peck is an artist and illustrator based in East London. Her commercial work ranges from humorous caricatures to bold editorials and prints, visualising narratives and ideas with expressive line work, collage or photomontage. As well as editorial and commercial briefs, Ellie’s practice includes painting, ink work, screen and mono printing as well as ceramics. Inspiration and influence come from a wide range of places, particularly the work of Hogarth for his sequential visual storytelling and Gillray, Inspiration and influence come from a wide range of places, particularly the work of Hogarth for his sequential visual storytelling and Gillray, George Grosz, Daumier and Ralph Steadman for their expressive use of line, lampooned characters and witty satires. She has always greatly admired the traditional Japanese woodcut prints for their storytelling, colour, composition and texture along with Aubrey Beardsley for his dark and decorative depictions of narratives. Clients include: The Guardian, The New Statesman, The Economist, The New York Review of books, The Idler, Random House, Pentagram and The New Yorker.

Postage fee not included

Early sketches and development of the stage design for ‘SIX the Musical’ at the Lena Horne and the Vaudeville theatre. This piece is a combination of hand-drawn and digital designs collaged together.

Emma is a multidisciplinary artist working in live performance. She has designed internationally for over 10 years and thrives off collaboration. Her work can be found here emmabaileydesign.com

420mm x 297mm on paper.
Postage fee not included.

Digital drawings of costumes of the Mermaids for ‘Peter Pan’ (2025) at the Smith Center Las Vegas by artist Emma Bailey.

Bailey is a multidisciplinary artist working in live performance. She has designed internationally for over 10 years and thrives off collaboration. Her work can be found here emmabaileydesign.com

297mm x 210mm on paper.
Postage fee not included

Digital drawings of costumes of the Lost Boys Corps for ‘Peter Pan’ (2025) at the Smith Center Las Vegas by artist Emma Bailey.

Bailey is a multidisciplinary artist working in live performance. She has designed internationally for over 10 years and thrives off collaboration. Her work can be found here emmabaileydesign.com

297mm x 210mm on paper.
Postage not included

Digital drawings of costumes of the Pirates for ‘Peter Pan’ (2025) at the Smith Center Las Vegas by artist Emma Bailey.

Bailey is a multidisciplinary artist working in live performance. She has designed internationally for over 10 years and thrives off collaboration. Her work can be found here emmabaileydesign.com

297mm x 210mm on paper.
Postage fee not included

“It’s All One Flow”

Original artwork from ‘The Grapes of Wrath’ (2024) at the National Theatre by Evie Gurney and Massimo Pitis. Featuring a quote from Steinbeck's novel, originally designed as an opening night card and printed on postcards for the cast and creative team.

The full quote from Steinbeck's novel, reads

"Man, he lives in the jerks-- baby born an' a man dies, an' that's a jerk-- gets a farm an' loses his farm, an' that's a jerk. Woman, it's all one flow, like a stream, little eddies, little waterfalls, but the river, it goes right on. Woman looks at it like that. We ain't gonna die out. People is goin' on-- changin' a little, maybe, but goin' right on."

Evie Gurney is a costume designer based in London and Milan. Her work at the National Theatre includes The Grapes of Wrath (2024), Dear England (2023), Much Ado About Nothing (2022) and Antony & Cleopatra (2018) for which she won the Stage Debut Award for Best Designer.

210 x 148mm print + frame
Giclée printed on bamboo paper, A5 size.
Postage fee not included

Performed at The Lyttelton Theatre, National Theatre ‘Alterations’ (2025) is a beautiful tale about the struggle, aspirations and triumph over adversity of the Windrush generation in 1970s London, all set within a tailor's shop just off Carnaby street.

Frankie Bradshaw is an award winning set and costume designer, who has worked across the UK in the West End and in venues including the National Theatre, the RSC, the Donmar Warehouse, the Young Vic, Kiln Theatre and the Royal Exchange.

A3 Digital print- 42cm x 29.7cm
140 gsm tinto paper
Postage fee not included.

A sketch from ‘Life and Trust’, a large-scale immersive theater production that ran in New York from 2024-25. The drawing represents an early concept for the Alexandria Club, a secret society for architects exploring ideal Euclidean geometric forms in both ancient and modern contexts. Inspired by ancient Egyptian temples, the skyscrapers of Gilded Age New York, and Barnett Newman’s Broken Obelisk, this space is the inner sanctum of the club where its most esoteric & occult practices take place.

Grace Laubacher is a scenic designer based in New York City, working in theater, film, & immersive performance. Recent work includes Titanique and Oklahoma! in the West End; Life and Trust (New York City), Caught Stealing (Columbia Pictures); and associate set design for Waiting for Godot and Merrily We Roll Along on Broadway. She is a graduate of Central Saint Martins.

180mm x 230mm
Pencil on paper
Postage fee not included

Sketchbook drawing from HAMLET: Almeida theatre and
West End, Harold Pinter theatre
Filmed for The BBC
Director Rob Icke
Hamlet Andrew Scott
Set and costumes Hildegard Bechtler

Hildegard Bechtler is an award-winning designer based in London and working internationally. Work in theatre includes designs for the Almeida Theatre, Royal Shakespeare Company, Old Vic, Donmar, on Broadway and extensively in the West End including Top Hat, Oresteia (both Olivier-nominated for best set design), Mary Stuart, Hamlet, Consent, Arcadia and The Crucible. Credits for the National Theatre include Antony and Cleopatra, Hansard, After the Dance (Olivier Award) and Iphigenia at Aulis (Evening Standard Award nomination). Credits for the Royal Court include: The Seagull, Krapp’s Last Tape, My Name Is Rachel Corrie. Recent work includes: Manhunt Royal Court , Oedipus , ,Dr Strangelove ,west end , The Doctor, Hamlet/Oresteia and Enemy of the People at the Park Avenue Armory; Four Quartets in the West End; Judas, Nora and Oedipus for Internationaal Theatre Amsterdam, The Doctor in the West End, at the Burgtheater Vienna and at the Adelaide Festival and Iwanow at the Staatstheater Stuttgart. Her many designs in opera and ballet include productions for English National Opera, La Scala Milan, Glyndebourne and the world premieres of The Cellist for the Royal Ballet and Clara for Zurich Opera Thomas Adès’ The Exterminating Angel at the Salzburger Festspiele, the Metropolitan Opera and the Royal Opera House. She won the Australian Green Room Award for Best Opera Design for Lady Macbeth of Mtsensk at Sydney Opera House.
Currently on Broadway with long term collaborated Rob Icke opening Oedipus

Size 24x33cm
Postage cost not included

This set designed by Hildegard Bechtler for ‘Coriolan at Salzburg Festspiele’ (1994) was built from rusted steel transported from a Russian port. Hildegard used the set to create this poster for the production. The poster features a photo of the set by Ruth Waltz and Hildegard worked directly on the photo with thin layers of oil paint and chalks. The production was directed by Deborah Warner, the costume designer was Cloe Obolensky and the lighting by Jean Kalman.

Hildegard Bechtler is an award-winning designer based in London and working internationally. Work in theatre includes designs for the Almeida Theatre, Royal Shakespeare Company, Old Vic, Donmar, on Broadway and extensively in the West End including Top Hat, Oresteia (both Olivier-nominated for best set design), Mary Stuart, Hamlet, Consent, Arcadia and The Crucible. Credits for the National Theatre include Antony and Cleopatra, Hansard, After the Dance (Olivier Award) and Iphigenia at Aulis (Evening Standard Award nomination). Credits for the Royal Court include: The Seagull, Krapp’s Last Tape, My Name Is Rachel Corrie. Recent work includes: Manhunt Royal Court , Oedipus , ,Dr Strangelove ,west end , The Doctor, Hamlet/Oresteia and Enemy of the People at the Park Avenue Armory; Four Quartets in the West End; Judas, Nora and Oedipus for Internationaal Theatre Amsterdam, The Doctor in the West End, at the Burgtheater Vienna and at the Adelaide Festival and Iwanow at the Staatstheater Stuttgart. Her many designs in opera and ballet include productions for English National Opera, La Scala Milan, Glyndebourne and the world premieres of The Cellist for the Royal Ballet and Clara for Zurich Opera Thomas Adès’ The Exterminating Angel at the Salzburger Festspiele, the Metropolitan Opera and the Royal Opera House. She won the Australian Green Room Award for Best Opera Design for Lady Macbeth of Mtsensk at Sydney Opera House.
Currently on Broadway with long term collaborated Rob Icke opening Oedipus

570mm x 860 mm
Postage fee not included

This set designed by Hildegard Bechtler for ‘Coriolan at Salzburg Festspiele’ (1994) was built from rusted steel transported from a Russian port. Hildegard used the set to create this poster for the production. The poster features a photo of the set by Ruth Waltz and Hildegard worked directly on the photo with thin layers of oil paint and chalks. The production was directed by Deborah Warner, the costume designer was Cloe Obolensky and the lighting by Jean Kalman.

Hildegard Bechtler is an award-winning designer based in London and working internationally. Work in theatre includes designs for the Almeida Theatre, Royal Shakespeare Company, Old Vic, Donmar, on Broadway and extensively in the West End including Top Hat, Oresteia (both Olivier-nominated for best set design), Mary Stuart, Hamlet, Consent, Arcadia and The Crucible. Credits for the National Theatre include Antony and Cleopatra, Hansard, After the Dance (Olivier Award) and Iphigenia at Aulis (Evening Standard Award nomination). Credits for the Royal Court include: The Seagull, Krapp’s Last Tape, My Name Is Rachel Corrie. Recent work includes: Manhunt Royal Court , Oedipus , ,Dr Strangelove ,west end , The Doctor, Hamlet/Oresteia and Enemy of the People at the Park Avenue Armory; Four Quartets in the West End; Judas, Nora and Oedipus for Internationaal Theatre Amsterdam, The Doctor in the West End, at the Burgtheater Vienna and at the Adelaide Festival and Iwanow at the Staatstheater Stuttgart. Her many designs in opera and ballet include productions for English National Opera, La Scala Milan, Glyndebourne and the world premieres of The Cellist for the Royal Ballet and Clara for Zurich Opera Thomas Adès’ The Exterminating Angel at the Salzburger Festspiele, the Metropolitan Opera and the Royal Opera House. She won the Australian Green Room Award for Best Opera Design for Lady Macbeth of Mtsensk at Sydney Opera House.
Currently on Broadway with long term collaborated Rob Icke opening Oedipus

570mm x 860 mm
Postage fee not included

Hand drawn costume drawing of Faerie for Luss Faerie Trail 2021 immersive outdoor experience 'Halloween Encounter'.

Tina is an award-winning and Emmy-nominated Theatre Designer. With a foundation in architecture, Tina naturally transitioned into Design for Performance, bringing her architectural expertise into the creative world of theatre design. Tina’s work has earned her numerous accolades, including National Theatre’s Dingeman Design Award. Her set design for the musical Cabaret was internationally recognized, winning the Silver Award at the World Stage Design 2017. With a deep passion for theatre spaces, Tina has also devoted several years to specializing in auditorium planning and theatre consultancy.

Mixed media (Watercolour & Paint)
160 x 195mm
Postage fee not included

Hand drawn speculative design for 'The Wardrobe' published by OUP as part of the National Theatre Playscripts.

Tina is an award-winning and Emmy-nominated Theatre Designer. With a foundation in architecture, Tina naturally transitioned into Design for Performance, bringing her architectural expertise into the creative world of theatre design. Tina’s work has earned her numerous accolades, including National Theatre’s Dingeman Design Award. Her set design for the musical Cabaret was internationally recognized, winning the Silver Award at the World Stage Design 2017. With a deep passion for theatre spaces, Tina has also devoted several years to specializing in auditorium planning and theatre consultancy.

Mixed media (Watercolour & Paint)
350 x 180mm
Postage fee not included