Bear costume drawing from Theatre Royal Stratford East's Production of 'The Wonderful World of Dissocia', directed by Emma Baggott.

Grace Smart is a British set and costume designer. She has created work for leading venues including the Royal Shakespeare Company, Shakespeare’s Globe, and the Royal Opera House.

Digital print on paper
A4 - 210 x 297 mm
Postage fee not included

A costume drawing from the 2023 RSC and 2024 Royal Court show 'Cowbois' written by Charlie Josephine, directed by Charlie Josephine & Sean Holmes.

The actual costume is on display currently at the RSC, it was originally worn by LJ Parkinson.

Grace Smart is a British set and costume designer. She has created work for leading venues including the Royal Shakespeare Company, Shakespeare’s Globe, and the Royal Opera House.

Digital print on paper
A4 - 210 x 297 mm
Postage fee not included

Costume drawing for Hero from the Shakespeare's Globe 2024 production of 'Much Ado About Nothing'.

Grace says: "For this drawing I hand painted splotches/brush strokes, before scanning them in, and layering the textures to demonstrate how rich the orange tones could be."

Grace Smart is a British set and costume designer. She has created work for leading venues including the Royal Shakespeare Company, Shakespeare’s Globe, and the Royal Opera House.

Digital print on paper
A4 - 210 x 297 mm
Postage fee not included

Hand drawn design for Marisha Wallace as Miss Adelaide in Guys and Dolls’ (2023) directed by Nicholas Hytner, choreographed by Alene Phillips and James Cousins and performed at The Bridge Theatre. Designed by Bunny Christie this includes Wallace’s black leather raunchy Cow-Girl "Bushel and a Peck" costume and her pink silk, drape, sparkle and mirror ball reveal for "Take Back Your Mink". Also included is a model "Hot Box" neon sign and some fabric swatches.

All of Christie’s items listed, including the neon signs and shoes and hats, were made from scratch by wonderfully talented tailors, cutters and makers, all based in London.The Design was nominated for an Olivier Award for both Best Set Design and Best Costume Design at the 2024 Olivier Awards at The Royal Albert Hall.

Bunny Christie is a multi-award winning Production Designer. She has worked extensively at The National Theatre, in The West End and on Broadway.

297mm x 420mm
Mixed media on cartridge paper.
Postage fee not included.

Hand drawn design for Celinde Schoenmaker's two looks as Sarah Brown in ‘Guys and Dolls’ (2023) directed by Nicholas Hytner, choreographed by Alene Phillips and James Cousins and performed at The Bridge Theatre. Designed by Bunny Christie these include her Mission Uniform and her sky blue silk dress for Havana which had to get wet and ripped everynight. The design includes a printed "Save a Soul" hat band and the model piece for the "Save a Soul" Mission.

All of Christie’s items listed, including the neon signs and shoes and hats, were made from scratch by wonderfully talented tailors, cutters and makers, all based in London.The Design was nominated for an Olivier Award for both Best Set Design and Best Costume Design at the 2024 Olivier Awards at The Royal Albert Hall.

Bunny Christie is a multi-award winning Production Designer. She has worked extensively at The National Theatre, in The West End and on Broadway.

297mm x 420mm
Mixed media on cartridge paper.
Postage fee not included

Hand drawn design for Andrew Richardson as Sky Masterson in Guys and Dolls’ (2023) directed by Nicholas Hytner, choreographed by Alene Phillips and James Cousins and performed at The Bridge Theatre. Designed by Bunny Christie this includes his fine wool NY suit, his pale linen Havana suit and his Mission uniform for his wedding. Also some model elements and suiting fabric swatches.

All of Christie’s items listed, including the neon signs and shoes and hats, were made from scratch by wonderfully talented tailors, cutters and makers, all based in London.The Design was nominated for an Olivier Award for both Best Set Design and Best Costume Design at the 2024 Olivier Awards at The Royal Albert Hall.

Bunny Christie is a multi-award winning Production Designer. She has worked extensively at The National Theatre, in The West End and on Broadway.

297mm x 420mm
Mixed media on cartridge paper.
Postage fee not included

Hand drawn design for Danny Mays as Nathan Detroit in ‘Guys and Dolls’ (2023) directed by Nicholas Hytner, choreographed by Alene Phillips and James Cousins and performed at The Bridge Theatre. Designed by Bunny Christie these include some models for the Set Design and a NY Cop uniform eventually cut from the production during previews.

All of Christie’s items listed, including the neon signs and shoes and hats, were made from scratch by wonderfully talented tailors, cutters and makers, all based in London.The Design was nominated for an Olivier Award for both Best Set Design and Best Costume Design at the 2024 Olivier Awards at The Royal Albert Hall.

Bunny Christie is a multi-award winning Production Designer. She has worked extensively at The National Theatre, in The West End and on Broadway.

297mm x 420mm
Mixed media on cartridge paper.
Postage fee not included

Digital costume drawing of Caliban for the Royal Shakespeare Company’s 'First Encounters with Shakespeare: The Tempest' (2025). Directed by Aaron Parsons the show toured venues and schools in the north of the UK, made for young audiences to be introduced to the work of Shakespeare. Parsons highlighted the colonial narrative making colour conscious casting Ariel and Caliban being global majority actors and Prospero being cast as a British Caucasian. They strayed away from portraying Caliban a monster, but instead showing his humanity so that he could free himself from the chain over his chest at the end. The chains left stains on him highlighting the lingering effects of colonialism on oppressed peoples.

Aldo is a Mexican set and costume designer based in the UK. He trained at Bristol Old Vic Theatre School with an MA in Theatre Design, and a BA in Visual Arts from the UNAM/ ENAP, México City. He has 10 years of experience and has worked both in México and the UK collaborating with international directors and actors from Argentina, Canada, China, México, USA, UK, and Switzerland.

Dimensions: 297 mm x 420 mm
Material: Paper

Postage fee not included.

Original costume drawings by Aldo Vazquez for Blood Wedding (2024) for the Moon & Beggar characters. These drawings mark Vazquez’s return to drawing with no digital tools used in making them. His deep love for Frederico Garcia Lorca’s writing fueled his work on these pieces. Signed by Vazquez.

Aldo is a Mexican set and costume designer based in the UK. He trained at Bristol Old Vic Theatre School with an MA in Theatre Design, and a BA in Visual Arts from the UNAM/ ENAP, México City. He has 10 years of experience and has worked both in México and the UK collaborating with international directors and actors from Argentina, Canada, China, México, USA, UK, and Switzerland.

297 mm x 420 mm on paper
Postage fee not included.

Signed sketch book of hand drawn preliminary costume ideas by renowned artist Amy Cook for Lulu an opera by Alan Berg. The sketches were created using pencil and acrylic.

Amy Jane Cook is a UK-based theatre designer specialising in set and costume design, whose work spans both new writing and classic productions. She trained on the Motley course and has achieved several honours, including winning the Wales Theatre Award for Best Design in 2017. Her credits include designs for Boys From The Blackstuff and Jellyfish (National Theatre), Tick Tick...Boom! (Theatre Clwyd), and Private Lives (Bolton Octagon & UK tour).

242 mm x 192 mm
Paper
Postage fee not included

A model of Lawrence's Mini Cooper on a shag pile carpet for Abigail's Party directed by Jack Bradfield in 2024. Designed by renowned artist Anna Yates, it was a central part of the performance, that all of the characters could interact with throughout the show, and Lawrence (played by Leander Deeny) makes his first entrance and exit with it. This model mini was a gauntlet thrown down to the Northern Stage tech departments.

Anna Yates is a set and costume designer based in London. She has worked across theatre, opera, dance and film in London, New York and Sydney.

165mm x 200mm x 70mm.
Plastic, card and fabric.
Postage fee not included.

Digital costume drawing for Puck from ‘A Midsummer Night’s Dream’, britten performed at the Opera Orchestre National Montpellier (2019) by award-winning costume and set designer Annemarie Woods.

Annemarie is a set and costume designer for theatre, opera, and film. In October and November 2013, she was commissioned by Hermes to design a series of windows for their UK stores.

Signed by designer.
Dimensions: A4
Material: Paper
Postage fee not included

Hand drawn set drawing of the thieves kitchen for ‘Oliver!’ the musical at the London Palladium from 1994 by Tony and Olivier award winning set & costume designer Anthony Ward. Signed by Anthony Ward.

420mm x 295mm
Paper print

Postage fee not included.

Hand drawn set design for ‘The Height of the Storm’ (2018) at the Wyndhams theatre by Tony and Olivier award winning set and costume designer Anthony Ward. Signed by Anthony Ward.

420mm x 300mm
Postage fee not included
Draughting Paper

Hand drawn group costume design for The Women by Anthony Ward in ‘Liola’ (2013) directed by Richard Eyre and performed at the National Theatre Lyttelton. Signed by Anthony Ward.

325mm X 760mm on paper
Postage fee not included.

Hand drawn costume design for Gillian Anderson in her role as Nora in ‘A Doll’s House’ (2009) directed by Kfir Yefet and performed at the Donmar Warehouse. Designed by Tony and Olivier award winning set and costume designer Anthony Ward. Signed by Anthony Ward.

500mm x 400mm
Paper
Postage fee not included.

Hand drawn costume design for the character Eleanore in ‘‘Schikaneder’ (2016). A musical with music by Stephen Schwartz, directed by Trevor Nunnperformed at the Raimund Theatre Vienna. Designed by Tony and Olivier award winning set and costume designer Anthony Ward. Signed by Anthony Ward.

410mm x 305mm
Paper
Postage fee not included.

Hand drawn costume design of Josephine’s coat for ‘Josephine and I’ (2013). Was originally made for Cush Jumbo who played the character of The Girl and Josephine baker who had multiple costume changes, but this one didn’t actually make it to the stage. Designed by Tony and Olivier award winning set and costume designer Anthony Ward.

Dimensions: 420mm x 295mm
Material: Paper
Postage fee not included.

A 1.25 scale model of a museum display dinosaur from ‘On The Town’ (2019) by Leonard Bernstein, performed at the Hyogo Performing Arts Centre and Kobe and Bunka Kaikan Theatre ,Tokyo. Within the show this Dinosaur is knocked into and collapses. Created by Antony McDonald.

Antony is a Royal Designer for Industry and a Director, trained on the Motley design course.

35mm x 20mm
Card, paper and metal wire.
Postage fee not included.

Performed on the floating stage Bregenz, Austria these photos are of the stage design for ‘Ballo in Maschera’ (1999/2000). Designed by renowned designer Antony McDonald and the production’s director Richard Jones, the set had to withstand two years of changing weather. The photos show the set in winter and summer and these designed were on front covers of newspapers worldwide.

Antony is a Royal Designer for Industry and a Director, trained on the Motley design course.

25mm x 25mm
Mixed media on cartridge paper.
Postage fee not included.

Costume drawing for Sir Bernard Spilsbury played by Olivier and Tony winner Jak Malone. Digital and hand drawn print. From the award winning musical ‘Operation Mincemeat’ (2023) by David Cumming, Felix Hagan, Natasha Hodgson, and Zoë Roberts. Directed by Rob Hastie and designed by Ben Stones.

Ben is an Olivier nominated stage designer who trained at Central Saint Martin’s College of Art and went on to receive a Linbury Prize commission to design Paradise Lost for Rupert Goold. His designs now span theatre, dance, comedy, fashion and Musicals.

A3 on paper.
Postage fee not included

Costume design for the number “All The Ladies” from the Olivier Award winning musical Operation Mincemeat. Digital and hand drawn print. From the Olivier Award winning Best New Musical ‘Operation Mincemeat’ (2023) by David Cumming, Felix Hagan, Natasha Hodgson, and Zoë Roberts. Directed by Rob Hastie and designed by Ben Stones.

Ben is an Olivier nominated stage designer who trained at Central Saint Martin’s College of Art and went on to receive a Linbury Prize commission to design Paradise Lost for Rupert Goold. His designs now span theatre, dance, comedy, fashion and Musicals.

A3 on paper.
Postage fee not included.

Costume design by Bridgitte Reiffenstuel for “Art Department” in ‘Stranger Things: The First Shadow’ (2023). Unique one off, hand drawn design.

Bridgitte is a costume designer working in opera, musicals and plays. http://www.brigittereiffenstuel.com

A3 on paper.
Postage fee not included.

Original hand drawn costume drawing for ‘An American in Paris’ (2025) Choreographed by Christopher Wheeldon and designed by Bob Crowley. Performed by the Royal Ballet at the Royal Opera house.

Bob Crowley RDI is a theatre scenic and costume designer, and theatre director. Known for his work both on West End and Broadway, he lives between London, New York and West Cork.

365mm x 296mm (inc.mount)
Postage fee not included.

Costume design by Bridgitte Reiffenstuel for “Wardrobe” in ‘Stranger Things: The First Shadow’ (2023). Unique one off, hand drawn design.

Bridgitte is a costume designer working in opera, musicals and plays.
http://www.brigittereiffenstuel.com

A3 on paper.
Postage fee not included.

Costume design by Bridgitte Reiffenstuel for “The Play/ Dark of the Moon” in ‘Stranger Things: The First Shadow’ (2023). Unique one off, hand drawn design.

Bridgitte is a costume designer working in opera, musicals and plays.

http://www.brigittereiffenstuel.com

A3 on paper.
Postage fee not included.

Costume design by Bridgitte Reiffenstuel for Claudia in “The Play/ Dark of the Moon” in ‘Stranger Things: The First Shadow’ (2023). Unique one off, hand drawn design.

Bridgitte is a costume designer working in opera, musicals and plays.

http://www.brigittereiffenstuel.com

A3 on paper.
Postage fee not included

This early digital storyboard collage from Cyrano De Bergerac by Chloe Lamford was created for use in the Comedie Française, Paris in 2023. Signed and dated on the back.

From 2003 to present, Chloe Lamford has created many performance spaces, all over the world. She is known for her atmospheric and unusual creations, ranging from installation and immersive spaces to theatre and opera, collaborating across art forms including music, contemporary visual art, new writing and more traditional theatre practice.

11 x 17 Inches
Giclee on Hahnemuhle Pearl paper
Postage fee not included

This fine art photograph is from an art photo series made in theatres all over Europe over a 5 year period by Chloe Lamford.

From 2003 to present, Chloe Lamford has created many performance spaces, all over the world. She is known for her atmospheric and unusual creations, ranging from installation and immersive spaces to theatre and opera, collaborating across art forms including music, contemporary visual art, new writing and more traditional theatre practice.

280mm x 224mm with border
Photographic giclee print on Hahnemühle Fine Art Pearl 285gsm paper
Postage fee not included

During the making of ‘Harry Potter and the Cursed Child’ jones designed wands for the characters in the play, and then Brett Banakis and Jones created wand drawings for everyone who worked on the show as opening night gifts. Inlustret Lumine is Latin for Let the Light Shine. These words are inlaid on the front of the stage facing the actors in honor of their beautiful work. This drawing is a compilation of all of the wands they created.

Christine Jones won a Tony and Olivier Award for her work on Harry Potter and the Cursed Child. Jones is a director, designer, and educator. Banakis and Jones collaborate frequently, often as part of the AMP collective which they founded to amplify emerging and underrepresented designers. They are based in New York City and are grateful to participate in this auction.

A3.
Postage fee not included.

Hand drawn costume drawing for Alice from Brixton House’s 2022/2023 production of ‘Alice in Wonderland’ designed by Debbie Duru.

In this production Alice is reimagined as a school girl who hops onto a train at Brixton underground station which takes her into the world of Wonderland. In the final contest between her and the Queen, Alice turns her school blazer inside out to reveal a beautiful pattern that encapsulates the tube lines.

Debbie Duru is a Designer for Performance space. Her work spans theatre, film, fashion, dance and opera. She works across the different genres with an interest in how design can evoke spaces in which to feel.

Recent design credits include, woman.life.song at Birmingham Opera Company, A Christmas Carol, and The White Card at Northern Stage, Bright Places at Birmingham Rep, How I learned to Swim at Roundabout/Brixton house and Re:Discover Festival for Streetwise Opera.

Postage fee not included.

This Brasserie mural sketch for ‘Josephine’ (2020) was performed at the Theatre Royal Bath and designed by Debbie Duru. In a failing New York brasserie, Josephine Baker and her legendary status as a resistance fighter, mother, activist and performer.

Debbie Duru is a Designer for Performance space. Her work spans theatre, film, fashion, dance and opera. She works across the different genres with an interest in how design can evoke spaces in which to feel.

Recent design credits include, woman.life.song at Birmingham Opera Company, A Christmas Carol, and The White Card at Northern Stage, Bright Places at Birmingham Rep, How I learned to Swim at Roundabout/Brixton house and Re:Discover Festival for Streetwise Opera.

Postage fee not included.

Hand drawn hanging Cupid Illustration made by Debbie Duru for the 2022 Youth production of ‘The Forest Awakens’ at the Kiln Theatre.

Debbie Duru is a Designer for Performance space. Her work spans theatre, film, fashion, dance and opera. She works across the different genres with an interest in how design can evoke spaces in which to feel.

Recent design credits include, woman.life.song at Birmingham Opera Company, A Christmas Carol, and The White Card at Northern Stage, Bright Places at Birmingham Rep, How I learned to Swim at Roundabout/Brixton house and Re:Discover Festival for Streetwise Opera

400mm X 340mm
Foamex.
Postage fee not included.

This unreleased costume drawing by Debbie Duru for Husz for ‘A Bright room called Day’.

‘A Bright room called Day’ is about a group of friends in 1930s Germany that grapple with the rise of facism that is happening around them. Despite their identity as artists and activists their own politics begins to be tested as the reality of the situation begins to fracture their microcosm and ultimately their personal beliefs.

Debbie Duru is a Designer for Performance space. Her work spans theatre, film, fashion, dance and opera. She works across the different genres with an interest in how design can evoke spaces in which to feel.

Recent design credits include, woman. Life.song at Birmingham Opera Company, A Christmas Carol, and The White Card at Northern Stage, Bright Places at Birmingham Rep, How I learned to Swim at Roundabout/Brixton house and Re:Discover Festival for Streetwise Opera.

Postage fee not included

Three colour screen print
Paper: Munken Pure Rough 250gsm
Paper size: A1 (594x841mm)
Bleed: 5mm sides and top 1cm bottom
Edition: 100

Ellie Foreman-Peck is an artist and illustrator based in East London. Her commercial work ranges from humorous caricatures to bold editorials and prints, visualising narratives and ideas with expressive line work, collage or photomontage. As well as editorial and commercial briefs, Ellie’s practice includes painting, ink work, screen and mono printing as well as ceramics. Inspiration and influence come from a wide range of places, particularly the work of Hogarth for his sequential visual storytelling and Gillray, Inspiration and influence come from a wide range of places, particularly the work of Hogarth for his sequential visual storytelling and Gillray, George Grosz, Daumier and Ralph Steadman for their expressive use of line, lampooned characters and witty satires. She has always greatly admired the traditional Japanese woodcut prints for their storytelling, colour, composition and texture along with Aubrey Beardsley for his dark and decorative depictions of narratives. Clients include: The Guardian, The New Statesman, The Economist, The New York Review of books, The Idler, Random House, Pentagram and The New Yorker.

Postage fee not included.

Screen Print

Ellie Foreman-Peck is an artist and illustrator based in East London. Her commercial work ranges from humorous caricatures to bold editorials and prints, visualising narratives and ideas with expressive line work, collage or photomontage. As well as editorial and commercial briefs, Ellie’s practice includes painting, ink work, screen and mono printing as well as ceramics. Inspiration and influence come from a wide range of places, particularly the work of Hogarth for his sequential visual storytelling and Gillray, Inspiration and influence come from a wide range of places, particularly the work of Hogarth for his sequential visual storytelling and Gillray, George Grosz, Daumier and Ralph Steadman for their expressive use of line, lampooned characters and witty satires. She has always greatly admired the traditional Japanese woodcut prints for their storytelling, colour, composition and texture along with Aubrey Beardsley for his dark and decorative depictions of narratives. Clients include: The Guardian, The New Statesman, The Economist, The New York Review of books, The Idler, Random House, Pentagram and The New Yorker.

Postage fee not included

25. ‘Barbican Botanicals II’ by Ellie Forman-Peck

Three colour screen print - Edition 100
PaperL Munken Pure Rough 250gsm
Bleed: 5mm sides and top 1cm bottom
A1 - 594 x 841mm

Ellie Foreman-Peck is an artist and illustrator based in East London. Her commercial work ranges from humorous caricatures to bold editorials and prints, visualising narratives and ideas with expressive line work, collage or photomontage. As well as editorial and commercial briefs, Ellie’s practice includes painting, ink work, screen and mono printing as well as ceramics. Inspiration and influence come from a wide range of places, particularly the work of Hogarth for his sequential visual storytelling and Gillray, Inspiration and influence come from a wide range of places, particularly the work of Hogarth for his sequential visual storytelling and Gillray, George Grosz, Daumier and Ralph Steadman for their expressive use of line, lampooned characters and witty satires. She has always greatly admired the traditional Japanese woodcut prints for their storytelling, colour, composition and texture along with Aubrey Beardsley for his dark and decorative depictions of narratives. Clients include: The Guardian, The New Statesman, The Economist, The New York Review of books, The Idler, Random House, Pentagram and The New Yorker.

Postage fee not included.

Early sketches and development of the stage design for ‘SIX the Musical’ at the Lena Horne and the Vaudeville theatre. This piece is a combination of hand-drawn and digital designs collaged together.

Emma is a multidisciplinary artist working in live performance. She has designed internationally for over 10 years and thrives off collaboration. Her work can be found here emmabaileydesign.com

420mm x 297mm on paper.
Postage fee not included.

Digital drawings of costumes of the Mermaids for ‘Peter Pan’ (2025) at the Smith Center Las Vegas by artist Emma Bailey.

Bailey is a multidisciplinary artist working in live performance. She has designed internationally for over 10 years and thrives off collaboration. Her work can be found here emmabaileydesign.com

297mm x 210mm on paper.
Postage fee not included

Digital drawings of costumes of the Lost Boys Corps for ‘Peter Pan’ (2025) at the Smith Center Las Vegas by artist Emma Bailey.

Bailey is a multidisciplinary artist working in live performance. She has designed internationally for over 10 years and thrives off collaboration. Her work can be found here emmabaileydesign.com

297mm x 210mm on paper.
Postage not included

Digital drawings of costumes of the Pirates for ‘Peter Pan’ (2025) at the Smith Center Las Vegas by artist Emma Bailey.

Bailey is a multidisciplinary artist working in live performance. She has designed internationally for over 10 years and thrives off collaboration. Her work can be found here emmabaileydesign.com

297mm x 210mm on paper.
Postage fee not included

Three colour screen print
Paper: Munken Pure Rough 250gsm
Paper size: A1 (594x841mm)
Bleed: 5mm sides and top 1cm bottom
Edition: 100

Ellie Foreman-Peck is an artist and illustrator based in East London. Her commercial work ranges from humorous caricatures to bold editorials and prints, visualising narratives and ideas with expressive line work, collage or photomontage. As well as editorial and commercial briefs, Ellie’s practice includes painting, ink work, screen and mono printing as well as ceramics. Inspiration and influence come from a wide range of places, particularly the work of Hogarth for his sequential visual storytelling and Gillray, Inspiration and influence come from a wide range of places, particularly the work of Hogarth for his sequential visual storytelling and Gillray, George Grosz, Daumier and Ralph Steadman for their expressive use of line, lampooned characters and witty satires. She has always greatly admired the traditional Japanese woodcut prints for their storytelling, colour, composition and texture along with Aubrey Beardsley for his dark and decorative depictions of narratives. Clients include: The Guardian, The New Statesman, The Economist, The New York Review of books, The Idler, Random House, Pentagram and The New Yorker.

Postage fee not included

“It’s All One Flow”

Original artwork from ‘The Grapes of Wrath’ (2024) at the National Theatre by Evie Gurney and Massimo Pitis. Featuring a quote from Steinbeck's novel, originally designed as an opening night card and printed on postcards for the cast and creative team.

The full quote from Steinbeck's novel, reads

"Man, he lives in the jerks-- baby born an' a man dies, an' that's a jerk-- gets a farm an' loses his farm, an' that's a jerk. Woman, it's all one flow, like a stream, little eddies, little waterfalls, but the river, it goes right on. Woman looks at it like that. We ain't gonna die out. People is goin' on-- changin' a little, maybe, but goin' right on."

Evie Gurney is a costume designer based in London and Milan. Her work at the National Theatre includes The Grapes of Wrath (2024), Dear England (2023), Much Ado About Nothing (2022) and Antony & Cleopatra (2018) for which she won the Stage Debut Award for Best Designer.

210 x 148mm print + frame
Giclée printed on bamboo paper, A5 size.
Postage fee not included

Performed at The Lyttelton Theatre, National Theatre ‘Alterations’ (2025) is a beautiful tale about the struggle, aspirations and triumph over adversity of the Windrush generation in 1970s London, all set within a tailor's shop just off Carnaby street.

Frankie Bradshaw is an award winning set and costume designer, who has worked across the UK in the West End and in venues including the National Theatre, the RSC, the Donmar Warehouse, the Young Vic, Kiln Theatre and the Royal Exchange.

A3 Digital print- 42cm x 29.7cm
140 gsm tinto paper
Postage fee not included.

A sketch from ‘Life and Trust’, a large-scale immersive theater production that ran in New York from 2024-25. The drawing represents an early concept for the Alexandria Club, a secret society for architects exploring ideal Euclidean geometric forms in both ancient and modern contexts. Inspired by ancient Egyptian temples, the skyscrapers of Gilded Age New York, and Barnett Newman’s Broken Obelisk, this space is the inner sanctum of the club where its most esoteric & occult practices take place.

Grace Laubacher is a scenic designer based in New York City, working in theater, film, & immersive performance. Recent work includes Titanique and Oklahoma! in the West End; Life and Trust (New York City), Caught Stealing (Columbia Pictures); and associate set design for Waiting for Godot and Merrily We Roll Along on Broadway. She is a graduate of Central Saint Martins.

180mm x 230mm
Pencil on paper
Postage fee not included

This set designed by Hildegard Bechtler for ‘Coriolan at Salzburg Festspiele’ (1994) was built from rusted steel transported from a Russian port. Hildegard used the set to create this poster for the production. The poster features a photo of the set by Ruth Waltz and Hildegard worked directly on the photo with thin layers of oil paint and chalks. The production was directed by Deborah Warner, the costume designer was Cloe Obolensky and the lighting by Jean Kalman.

Hildegard Bechtler was born in Stuttgart, trained at Camberwell and Central St. Martin’s Schools, lives in London and works internationally in theatre, ballet and opera.

Hildegard won an Olivier Award for her design of After the Dance at the National Theatre and received nominations for Top Hat and Oresteia. She was nominated for the Evening Standard Best Designer Award for Iphigenia at Aulis and won the Australian Green Room Award for Best Opera Design for Lady Macbeth of Mtsensk at Sydney Opera House.

570mm x 86 mm
Postage fee not included

1:25 model of false proscenium arch 630x360x53mm
1:25 model of proscenium curtain 535x314x5mm

Ian MacNeil has designed for theatre, opera, dance, film and pop music. His most notable designs include An Inspector Calls (National Theatre/West End and Broadway), Machinal (National Theatre), Ariodante (English National Opera) and Festen (Almeida/West End). Other designs include Afore Night Comes for the Young Vic and A Number, Plasticine and Far Away for The Royal Court.

He has staged various world tours for the Pet Shop Boys. Recent designs include Tin Tin (Barbican and Young Vic) and Vernon God Little (Young Vic). He has won numerous awards including two Oliviers (An Inspector Calls and Ariodante), Two Critic’s Circle Awards (Machinal and An Inspector Calls), and two Evening Standard Awards (A Number/Plasticine and Festen).

Postage fee not included

1:25 model of pit gates 465 x 320 x 20mm

Ian MacNeil has designed for theatre, opera, dance, film and pop music. His most notable designs include An Inspector Calls (National Theatre/West End and Broadway), Machinal (National Theatre), Ariodante (English National Opera) and Festen (Almeida/West End). Other designs include Afore Night Comes for the Young Vic and A Number, Plasticine and Far Away for The Royal Court.

He has staged various world tours for the Pet Shop Boys. Recent designs include Tin Tin (Barbican and Young Vic) and Vernon God Little (Young Vic). He has won numerous awards including two Oliviers (An Inspector Calls and Ariodante), Two Critic’s Circle Awards (Machinal and An Inspector Calls), and two Evening Standard Awards (A Number/Plasticine and Festen).

Postage fee not included

1:25 Model of brick back wall 830 x 375 x 50mm

Ian MacNeil has designed for theatre, opera, dance, film and pop music. His most notable designs include An Inspector Calls (National Theatre/West End and Broadway), Machinal (National Theatre), Ariodante (English National Opera) and Festen (Almeida/West End). Other designs include Afore Night Comes for the Young Vic and A Number, Plasticine and Far Away for The Royal Court.

He has staged various world tours for the Pet Shop Boys. Recent designs include Tin Tin (Barbican and Young Vic) and Vernon God Little (Young Vic). He has won numerous awards including two Oliviers (An Inspector Calls and Ariodante), Two Critic’s Circle Awards (Machinal and An Inspector Calls), and two Evening Standard Awards (A Number/Plasticine and Festen).

Postage fee not included

1:25 model of Billy letters 215x150x22mm

Ian MacNeil has designed for theatre, opera, dance, film and pop music. His most notable designs include An Inspector Calls (National Theatre/West End and Broadway), Machinal (National Theatre), Ariodante (English National Opera) and Festen (Almeida/West End). Other designs include Afore Night Comes for the Young Vic and A Number, Plasticine and Far Away for The Royal Court.

He has staged various world tours for the Pet Shop Boys. Recent designs include Tin Tin (Barbican and Young Vic) and Vernon God Little (Young Vic). He has won numerous awards including two Oliviers (An Inspector Calls and Ariodante), Two Critic’s Circle Awards (Machinal and An Inspector Calls), and two Evening Standard Awards (A Number/Plasticine and Festen).

Postage fee not included

Ian MacNeil has designed for theatre, opera, dance, film and pop music. His most notable designs include An Inspector Calls (National Theatre/West End and Broadway), Machinal (National Theatre), Ariodante (English National Opera) and Festen (Almeida/West End). Other designs include Afore Night Comes for the Young Vic and A Number, Plasticine and Far Away for The Royal Court.


He has staged various world tours for the Pet Shop Boys. Recent designs include Tin Tin (Barbican and Young Vic) and Vernon God Little (Young Vic). He has won numerous awards including two Oliviers (An Inspector Calls and Ariodante), Two Critic’s Circle Awards (Machinal and An Inspector Calls), and two Evening Standard Awards (A Number/Plasticine and Festen).

Postage fee not included

Framed drawing by Jamie Vartan, that was part of an exhibition in New York, at St Ann's Warehouse, of the full collection of drawings used in a projection sequence for the production ‘Grief is the Thing With Feathers’ (2018) which was performed at ​​Black Box Theatre, Galway (Galway International Arts Festival) and the Barbican, London.

Jamie Vartan has designed extensively worldwide for theatre & opera ; this particular production was the theatre adaptation, written in collaboration with Enda Walsh, & starring Cillian Murphy, of Max Porter's awarding winning book. During the show, the character of the father, grieving for the loss of his wife, imagines a slide show sequence of a story of a 'crow boy' ( with slide captions by Max Porter ), & with this drawing as the final projected image of that sequence.

With frame: 41cm width x 32cm ht x 6cm depth
Without frame: 29cm width x 21cm ht
Frame: black lacquered wood. Drawing: ink & pencil.
Postage fee not included

Early sketch idea for the set design of 'The Way Old Friends Do'. Drawn on an ipad. Signed by the writer Ian Hallard, director Mark Gatiss and designer Janet Bird.

The Way Old Friends Do, a new play, tracks the journey of the rise and fall of a cross dressing brummy ABBA tribute act. Written by Ian Hallard and directed by his husband Mark Gatiss. The original cast included Donna Berlin, James Bradshaw, Sara Crowe, Andrew Horton, Rose Shalloo and its writer Ian Hallard. Initially opening at Birmingham Rep the show toured the UK before runs at Park 200 and finally at The Criterion, Piccadilly.

Janet Bird is a Welsh stage designer now based in London. She trained in theatre design in Nottingham and Scenography at Wimbledon.

420mm x 297mm
Digital print on watercolour paper.
Postage fee not included

Costume drawing for the costumes of the fictional band, Co-codamol, from Chris Bush's 2022 play Rock/Paper/Scissors. Drawn on an ipad. The print is signed by the writer, Chris Bush and designer Janet Bird.

In celebration of Sheffield Crucibles 50th year, Rock/Paper/Scissors was an ambitious triptych of plays performed by one cast in 3 different theatres simultaneously. Set in various locations around a failing Sheffield scissor factory; the project required 3 designers (Ben Stones for the Crucible, Janet Bird for the Lyceum and Natasha Jenkins for the Playhouse) and 3 directors (Anthony Lau, Rob Hastie and Elin Schofield). Whilst the designers produced 3 individual sets, the costume scheme had to divided into 3. Mindless girl band, Co-codamol, were played by Daisy Mae and Chanel Waddock. Additional photo shows Daisy and Chanel dashing mid show between venues.

Janet Bird is a Welsh stage designer now based in London. She trained in theatre design in Nottingham and Scenography at Wimbledon.

420mm x 297mm
Digital print on watercolour paper.
Postage fee not included

This costume design by Jean Chan for ‘Twelfth Night” (2025) at the Globe is for the Character of Feste played by Jos Vantyler. The Harlequined fool who plays on the teetering balance of joyful and sinister. This costume was made by Graham Burn and supervised by Lydia Hardiman.

Chan London based Set and Costume designer. Working in the Uk and Worldwide. A particular passion for creating theatre for young audiences, bringing new perspectives to traditional and contemporary stories told through theatre, musical, opera and dance.

Printed on paper, A4.
Postage fee not included

This is an early concept costume sketch for the Chester Mystery Cycle of 2023. Working with a diverse cast and crew of 200 community volunteers to create costumes for everyone from Angels to the sea. They were made from donated duvets, sheets and curtains, transformed through shared craft skills in weekly workshops. The performance took place in Chester Cathedral in Traverse, a nod to its roots in street theatre. This costume evolved into coats made out of blue denim scraps, worn by a sea of women carrying Noah's ark through the church.

Since training at the Motley Theatre Design course Jess has designed set and costumes for theatres nationally and internationally. Working across theatre, opera and dance. She has contributed to the Theatre Green Book, strives to work sustainably and teaches at the London College of Fashion.

300mm x 420mm on paper.
Postage not included

Gucci 1540' is a digital collage part of an ongoing series of artworks that Worrall began in lockdown and have continued making ever since. The works juxtapose portraits of women from art with images of modern day couture as a way of questioning the external forces that exist within both art and fashion which shape and enforce our understanding of the ideals around women’s status in society.

They are definitely related to her theatre work in that jer style has always been a bit anachronistic; finding those connections across history and time in a way to hopefully both make it relevant to a modern audience but also ask the question of what has changed and why (or why not!)

Printed on 310g Hahnemuhler German Etching Paper.
Paper Size: 230mm x 317mm
Print Size: 210mm x 297mm

Postage not included

'Mugler 1631' is a digital collage part of an ongoing series of artworks that Worrall began in lockdown and have continued making ever since. The works juxtapose portraits of women from art with images of modern day couture as a way of questioning the external forces that exist within both art and fashion which shape and enforce our understanding of the ideals around women’s status in society.

They are definitely related to her theatre work in that jer style has always been a bit anachronistic; finding those connections across history and time in a way to hopefully both make it relevant to a modern audience but also ask the question of what has changed and why (or why not!)

Printed on 310g Hahnemuhler German Etching Paper.
Paper Size: 307mm x 430mm
Print Size: 297mm x 420mm

Postage not included.

The artwork is a 1:25 model of a section of the Dome of The Rock in the Old City of Jerusalem, Palestine. The scale model celebrates the artistry of the Palestinian landmark, hailed to be the oldest surviving work of Islamic architecture. While this artwork has no relation to a particular theatrical production, it has been donated in appreciation of Palestinian arts & culture. It has also been made using recycled materials.

Jida Akil is a Syrian-Lebanese set & costume designer based in London, working across theatre, musicals, and opera. After graduating from Central Saint Martins, she has worked with notable companies such as Complicité, Young Vic, National Theatre Public Acts, and Clean Break. Her work has also been internationally recognised at the Prague Quadrennial and World Stage Design. She champions stories of the global majority across her work. Selected work includes: Community (Birmingham Rep), Nowhere (Battersea Arts Centre as Associate), How To Break Out of a Detention Centre (Riverside Studios), Tender (UK Tour), Penguin (UK & International Tour), The Odyssey (National Theatre as Associate), For A Palestinian (Bristol Old Vic & Camden People’s Theatre), Painkiller (Theatre Royal Stratford East).

Dimensions: A4 - 21 x 29.7 cm (8.3 x 11.7 inches)
Framed dimensions: 22.5 x 31.2 x 4.3 cm (8.9 x 12.3 x 1.7 inches
Recycled grey board, paper gouache paint.

Postage not included.

Digital costume drawing of William Shakespeare from 'Born With Teeth' (2025) at Wyndham’s Theatre, Royal Shakespeare Company. Both drawings by multi-award winning production designer Joanna Scotcher. Signed by Jo Scotcher and Ed Bluemel.

Joanna is is based in London, working across the UK and internationally. She recently received an Olivier Award for Best Costume Design for her work on Emilia, which also won The Olivier Award for Best Entertainment 2020. In 2011 she received Whatsonstage ‘Best Set Designer’ Award for The Railway Children, which also went on to win the Olivier Award for Best Entertainment. Joanna trained at the Royal Shakespeare Company. She has since developed a unique path through the Arts & Theatre industry. Her focus is on multi-disciplinary production design, specialising in creating unique and extraordinary experiences, inhabiting spaces from the intimate to the epic.

A3 printed on paper.
Postage fee not included.

Digital costume drawing of Kit Marlowe from 'Born With Teeth' (2025) at Wyndham’s Theatre, Royal Shakespeare Company. Both drawings by multi-award winning production designer Joanna Scotcher. Signed by Jo Scotcher and Ncuti Gatwa.

Joanna is is based in London, working across the UK and internationally. She recently received an Olivier Award for Best Costume Design for her work on Emilia, which also won The Olivier Award for Best Entertainment 2020. In 2011 she received Whatsonstage ‘Best Set Designer’ Award for The Railway Children, which also went on to win the Olivier Award for Best Entertainment. Joanna trained at the Royal Shakespeare Company. She has since developed a unique path through the Arts & Theatre industry. Her focus is on multi-disciplinary production design, specialising in creating unique and extraordinary experiences, inhabiting spaces from the intimate to the epic.

A3 printed on paper.
Postage not included

Hand drawn costume drawings by John Macfarlane of the Waltz Boys in Act 1 of ‘Swan Lake’ (2018) with the Royal Ballet. Choreographed by Liam Scarlett and performed at the Royal Opera House.

John Macfarlane was born in Scotland and studied at the Glasgow School of Art. He was awarded The Leverhulme Prize on graduation. He received an Arts Council of Great Britain Trainee Designer award and spent some time as Resident Designer at the Young Vic Theatre in London. For the first fifteen years of his career he worked mainly in dance with many of the major international companies. Latterly John has focussed on opera where he designs both sets and costumes. In addition to his opera and dance work. As one of the leading influencers in theatric art, John Macfarlane is widely regarded as one of the finest theatre designers and painters. John’s work has appeared in major collections, galleries and exhibitions in Cardiff, London, Chicago, Vienna, Glasgow, Paris and New York.

Hand drawn costume drawings by John Macfarlane of Two Street Beggars from Act 1 of ‘Tosca’ (2016). Directed by David McVicar and performed at the Metropolitan Opera New York.

John Macfarlane was born in Scotland and studied at the Glasgow School of Art. He was awarded The Leverhulme Prize on graduation. He received an Arts Council of Great Britain Trainee Designer award and spent some time as Resident Designer at the Young Vic Theatre in London. For the first fifteen years of his career he worked mainly in dance with many of the major international companies. Latterly John has focussed on opera where he designs both sets and costumes. In addition to his opera and dance work. As one of the leading influencers in theatric art, John Macfarlane is widely regarded as one of the finest theatre designers and painters. John’s work has appeared in major collections, galleries and exhibitions in Cardiff, London, Chicago, Vienna, Glasgow, Paris and New York.

Postage fee not included

Hand drawn costume drawings by John Macfarlane of Women Courtiers from Act 1 (Whitehall) of ‘Maria Stuarda’ (2012). Directed by David McVicar and performed at the Metropolitan Opera New York.

John Macfarlane was born in Scotland and studied at the Glasgow School of Art. He was awarded The Leverhulme Prize on graduation. He received an Arts Council of Great Britain Trainee Designer award and spent some time as Resident Designer at the Young Vic Theatre in London. For the first fifteen years of his career he worked mainly in dance with many of the major international companies. Latterly John has focussed on opera where he designs both sets and costumes. In addition to his opera and dance work. As one of the leading influencers in theatric art, John Macfarlane is widely regarded as one of the finest theatre designers and painters. John’s work has appeared in major collections, galleries and exhibitions in Cardiff, London, Chicago, Vienna, Glasgow, Paris and New York.

Hand drawn costume drawings by John Macfarlane of Men Courtiers from Act 2 (hunt scene) of ‘Maria Stuarda’ (2012). Directed by David McVicar and performed at the Metropolitan Opera New York.

John Macfarlane was born in Scotland and studied at the Glasgow School of Art. He was awarded The Leverhulme Prize on graduation. He received an Arts Council of Great Britain Trainee Designer award and spent some time as Resident Designer at the Young Vic Theatre in London. For the first fifteen years of his career he worked mainly in dance with many of the major international companies. Latterly John has focussed on opera where he designs both sets and costumes. In addition to his opera and dance work. As one of the leading influencers in theatric art, John Macfarlane is widely regarded as one of the finest theatre designers and painters. John’s work has appeared in major collections, galleries and exhibitions in Cardiff, London, Chicago, Vienna, Glasgow, Paris and New York.

A 1:25 Model of the fireplace in the Queen Elizabeth Hospital for Children on Hackney Road. East London. Made by Kat Heath at university in 2007. The building was demolished in 2014.

Kat’s final project at university “I Love You So Much I Could Burst Into Flames', was a speculative project for the whole building based on the plays and children's books of Philip Ridley. A flash of charm for the lonely security guard would get you into the dingy basement and from there you could explore the magnificent staircases and grand open wards with the family of foxes who lived there. The Hospital was founded in the wake of a cholera epidemic in 1866 by two Quaker sisters, Ellen and Mary Phillips. Her obsession with the grand derelict Hackney Children's Hospital marked the beginning of my love for site-specific and immersive theatre, the walls dripped with stories of care, heartbreak, healing and joy.

Kat Heath is a set and costume designer working across theatre, opera, immersive and dance. Kat trained in Design for Performance at Wimbledon School of Art and Central Saint Martins, London.

1:25 Model in 75mm x 75mm.
Mount Board,Foam board, Miliput, Acrylic Paint.

Price of Postage Not Included.

Hand drawn costume design of Bertha Mason for ‘Jane Eyre’ (2015) played by Melanie Marshall and designed by Katie Sykes.

“Jane Eyre, originally devised at the Bristol Old Vic was then reimagined for the National Theatre in 2015. Excitingly, this dress was then made by the brilliant NT costume department and consequently included many beautiful new details. We wanted Bertha to look glorious - a woman with strength and dignity - not the typical madwoman in the attic image. Melanie sang her entire role and the production includes her amazing rendition of Gnarls Barkley’s Crazy .” - Katie Sykes, designer

Sykes is a costume designer most known for National Theatre Live: Jane Eyre (2015), Wonderboy: Bristol Old Vic (2023) and Make-Up: A Glamorous History (2021).

210mm x 297mm on paper.

Price of Postage Not Included.

Two costume drawings for characters from ‘The Estate’ (2025) performed at the Dorfman Theatre, NT. Designed by Khadija Raza.

1. Costume drawing of Malicka from The Estate, played by Shelly Conn
2. Costume drawing of Angad Singh from The Estate, played by Adeel Akhtar

Khadija Raza is a set and costume designer based in London. She graduated from the Royal Central School of Speech and Drama, studying BA (hons) Theatre Practice: Design for Stage. She was one of the winners of the Linbury Prize (2017) and won the Stage Debut Award for Best Designer, 2018.

A4, Card.

Price of Postage Not Included.

Three costume drawings by Khadija Raza for ‘The Secret Garden’ (2024) performed at Regent’s Park Open Air Theatre.

1. Sharan Phull as Lady Lennox "Lata"

2. Hannah Khalique-Brown as Mary Lennox

3. Hannah Khalique-Brown as Mary Lennox

Khadija Raza is a set and costume designer based in London. She graduated from the Royal Central School of Speech and Drama, studying BA (hons) Theatre Practice: Design for Stage. She was one of the winners of the Linbury Prize (2017) and won the Stage Debut Award for Best Designer, 2018.

A4, Card.

Price of Postage Not Included.

This is a costume designed by Kinnetia Isidore for Nye Bevan for the production of 'Nye' (2025) at the National Theatre and Wales Millenium Centre. It was worn by Michael Sheen and his understudy Lee Mengo. Isidore based the cut on a pair of vintage 1940s pyjamas and designed the fabric using photographs of vintage Welsh flannels and wools. It was digitally printed for the 2024 production by Hatley and then hand printed by the textiles team at the National in 2025.

Isidore is a Costume Designer: Trained at Wimbledon College of Art. Theatre includes: (Costume Designer) - The BFG, Pericles (RSC), Ny, Our Generation (National Theatre), Black Superhero (Royal Court), School Girls, Or, The African Mean Girls Play, Scandaltown, Aladdin (Lyric Hammersmith), Obsidian (Dance West Fest), Adult Children (DOnmar Warehouse), Jesus Hopped the 'A' Train (Young Vic), Rock Folliesm Our Generation (Chichester), Enter Achilles (Rambert/Sadlers Wells), The Night Woman (The Other Palace), As a Co Costume Designer - The Wife of Wilesden (Kiln/A.R.T. Boston/Brooklyn Academy of Music). As Associate Costume Designer - Lemons Lemons Lemons Lemons (Opera House, Manchester/Theatre Royal Brighton), Constellations (Donmar Warehouse).

A3

Price of Postage Not Included.

Hand drawn costume design for Sword Swallower from Cosi Fan Tutte by Mozart designed by Laura Hopkins and performed at ENO (2014) and The Met (20018)

Laura Hopkins is a set and costume designer for theatre, opera, dance and experimental performance. Since 2018 Laura has also been developing my own performance work combining formal experiment, political engagement and entertainment.

http://www.laurahopkins.co.uk

A5
Watercolour on paper.

Price of Postage Not Included.

Storyboard for an unrealised version of The Great Gatsby. 8 sheets. by Laura Hopkins.

Laura Hopkins is a set and costume designer for theatre, opera, dance and experimental performance. Since 2018 Laura has also been developing my own performance work combining formal experiment, political engagement and entertainment.

http://www.laurahopkins.co.uk

A4
Watercolor on paper.
Postage not included

A set of 12 designs charting the costume evolution over the 6 choruses of the
opera. These alternate between Palestinian and Jewish and the costume shifts -
performed on stage - are iterative and minimal.

The choruses in The Death of Klinghoffer are powerful and sometimes performed as stand alone pieces. In this production they progressed from biblical times through to 1995. Directed by Tom Morris, set designed by Tom Pye.

Chorus 1: Exiled Palestinians, biblical
Chorus 2: Exiled Jews, 1948
Chorus 3: Night Chorus, Palestinians, 1950s
Chorus 4: Ocean Chorus, Jews 1960s
Chorus 5: Desert Chorus, Palestinians 1970s
Chorus 6: Day Chorus, Jews, 1980s


Laura Hopkins is a set and costume designer for theatre, opera, dance and experimental performance. Since 2018 Laura has also been developing my own performance work combining formal experiment, political engagement and entertainment.

http://www.laurahopkins.co.uk

A4
Ink on Paper.

Price of Postage Not Included.

Hand drawn costume design for 1960s dancer from ‘Sinatra’. A song and dance spectacular at the london Palladium. Directed by David Leveaux, set designed by Tom Pye.

Laura Hopkins is a set and costume designer for theatre, opera, dance and experimental performance. Since 2018 Laura has also been developing my own performance work combining formal experiment, political engagement and entertainment.
http://www.laurahopkins.co.uk

A5
Watercolour on paper.

Price of Postage Not Included.

Original costume drawing in watercolor and pen by designer Lez Brotherston for ‘Red Shoes’ (2016), Choreographed by Matthew Bourne. This costume is for Vicky Page’s arrival in Monaco in the production. Red shoes is currently being revived and will be playing at Sadlers Wells this Christmas and touring the rest of the year.

Lez Brotherston trained at Central School of Art and has worked extensively in Opera , Dance Theatre in film since 1984 . Regularly at The National Theatre , RSC, West End and Broadway . He has had a thirty year collaboration with the choreographer Matthew Bourne and was awarded an OBE for services to theatre and dance.

310mm x 410 m on watercolour paper.

Model piece from the bus stop scene where Luke almost gets knobbled by a witch at 1:25 scale. Designed by Lizzie Clachan.

Lizzie Clachan is a set & costume designer working internationally on theatre, opera & circus. She is a founding member of Shunt and designed all their shows.

10cm w x 10cm h x 3cm d
Card, plastic & paint.

Price of Postage Not Included.

Model piece of the Grand High Witch’s bed at The Hotel Magnificent at 1:25 scale. Designed by Lizzie Clachan.

Lizzie Clachan is a set & costume designer working internationally on theatre, opera & circus. She is a founding member of Shunt and designed all their shows.

10cm w x 16cm h x 8cm d
Card, foam board and paint

Price of Postage Not Included.

Model piece of the banner that the Grand High Witch uses to get her message across at the Witches Convention at the Hotel at 1:25 scale. Designed by Lizzie Clachan.

Lizzie Clachan is a set & costume designer working internationally on theatre, opera & circus. She is a founding member of Shunt and designed all their shows.

31cmw x 24ch h
Card and paper.

Price of Postage Not Included.

A model piece of a set piece was cut from the final production and Bruno danced on the front of the hotel reception desk instead at 1:25 scale. Designed by Lizzie Clachan.

Lizzie Clachan is a set & costume designer working internationally on theatre, opera & circus. She is a founding member of Shunt and designed all their shows.

22cm w x 8cm d x 14.5cm h
Card and paper.

Price of Postage Not Included.

Model piece from the Grand High Witch’s demonstration of her terrible plan to turn children into mice by poisoning sweets in sweet shops at 1:25 scale. Designed by Lizzie Clachan.

Lizzie Clachan is a set & costume designer working internationally on theatre, opera & circus. She is a founding member of Shunt and designed all their shows.

5.5cm w x 10cm h x 1.5cmd
Card and paper.

Price of Postage Not Included.

Hand drawn, Korean ink on Watercolour paper, made during a rehearsal at The Playground at Rambert.

“This drawing was made in a truly joyous rehearsal at The Playground at Rambert. I draw, in Korean ink on wet paper, only for the duration of the dance. Once the dancers stop, so do I. I aim to echo the energy & dynamism of their movements.” - Algar, Artist.

Lucy Algar, BA MA FHEA is an artist, performance designer and educator. She was Course Leader of the BA Theatre Design course at Wimbledon College of Arts, UAL from August 2013 – August 2025. Her work includes extensive design for performance both live and for film and TV, & art installations in public environments & galleries. Her research and practice focuses on the role of drawing as the primary investigative and communication tool for performance designers. Her work was selected for the 2024 Trinity Buoy Wharf Drawing Prize https://www.instagram.com/drawingperformanceproject/?hl=en-gb

300mm x 420mm
Watercolour paper.

Price of Postage Not Included.

A Bilal Classic made for Hafsah. A print inspired by a play written by Suhaiymah Manzoor-Khan, performed at the Kiln Theatre. This print was made as a Press Night gift for the cast and creatives of the show.

Maariyah Sharjil is a designer and costume supervisor. Her most recent productions include; Designer for Fy Enw i yw Rachel Corrie (Theatr Cymru); Vitamin D (Soho Theatre); Costume Supervisor for Peanut Butter and Blueberries (Kiln Thatre).

She is a first-class graduate from BA Design for Performance at the Royal Central School of speech and Drama (2021). Before her design training, Maariyah worked at Sands Films as a costume constructor.

210mm x 297mm on paper.

Price of Postage Not Included.

Full costume design reference book and designs for 'Tina Turner the Musical’ (2018) at Aldwych Theatre, London by Mark Thompson. Directed by Phyllida Lloyd.

420mm x 300mm x 30mm

Price of Postage Not Included.

A 1:25 scale model piece of Front Cloth in Bas Relief for ‘London Assurance’ (2010) at the Olivier Theatre, National Theatre by Mark Thompson.

440mm x 450mm x 55mm

Price of Postage Not Included.

A 1:25 scale model piece of the hotel staircase and studio reception from ‘Once In A Lifetime’ (2005) at the Olivier Theatre, National Theatre by Mark Thompson.

440mm x 450mm x 55mm

Price of Postage Not Included.

Front Cloth design for ‘Tina Turner the Musical’ (2018) at Aldwych Theatre, London by Mark Thompson. Directed by Phyllida Lloyd.

420mm x 300mm

Price of Postage Not Included.

Giclée print of tapestry illustration created for a backcloth used in King John, The Swan Theatre RSC (2019)
Illustration created by Ellie Foreman-Peck and Max Johns.

Drawing inspiration from the Bayeux Tapestry, Hogarth, and Grayson Perry the busy image combines details from the Plantagenet dynasty with imagery of ancient and modern warfare.

Max Johns is a freelance stage designer working across theatre and opera. Ellie Foreman-Peck is a freelance illustrator and artist. They collaborated to create this unique artwork, which was printed onto a 6x3.6metre cloth for the stage.

645x390mm with a 5mm border
Hahnemühle German Etching paper

Price of Postage Not Included.

Costume drawing for “'The Bee” in ‘Why Am I So Single?’. The Bee featured in the song 'Interlude in B-Minor' and was played by Joshian Angelo (Omaña). The costume was made by Allen and Adcock Studio.

Max Johns is a freelance stage designer working across theatre and opera

297x210mm
Giclée onto Hahnemühle German Etching paper.

Price of Postage Not Included.

In Arthur Miller's "All My Sons," Bert is an eight-year-old neighbourhood boy who plays a significant game of pretend "jail" with Joe Keller, foreshadowing Joe's hidden guilt and Kate's [his wife] desperate denial of it. Bert appears briefly in the play, but his role as an innocent child highlighting the corrupted adult world, especially Joe's authority and the metaphorical basement jail, makes him a key symbolic character.

This is a Limited edition digital print on paper of this drawing for ‘All My Sons’ (2019) at the Old Vic, London.

Max Jones is a London based, Bristol born Stage Designer who graduated from The Royal Welsh College of Music and Drama in 2001. He was a winner of The Linbury Biennial Prize for Stage Design, and has since continued to design production, sets and costumes for live performance across the UK and internationally.

A4 (210mm x 297mm)
Paper print.

Price of Postage Not Included.

A collection of production photos and a costume drawing for the costumes of the chorus in the oratorio ‘Die Schöpfung” (The Creation) by Joseph Haydn at the opera Cologne in 2024. The oratorio depicts and celebrates the creation of the world as narrated in the Book of Genesis.

The chorus represents God’s civil servants, the ‘voices of God’ that relay his messages to humanity in a glorifying way. The masks make reference to the depiction of halos in classic works of art. Moreover they cover the face and only leave the mouth on show, the mouthpiece of god.

Production photos by Sandra Then.

All A4 on paper and photographic paper.

Merle works as a Designer for Theatre and Performance internationally in a wide variety of styles and genres. With an extensive list of Theatre, Opera and Dance lists some include: The House of Bernarda Alba, Under Milk Wood; Top Girls (costume), Protest Song (National Theatre); A Streetcar Named Desire (Costume) (Almeida / West End / BAM, New York); The Cherry Orchard (costume) (Donmar/ St Ann’s Warehouse NY); King Lear (set), Romans, a novel (Almeida);Die Schöpfung Opera Cologne); Aida (set) (Royal Danish Opera); Until the Lions (Opéra National du Rhin);; Der Vetter Aus Dingsda (costumes)(Oper Graz); Lunatics (set) (Kunstfest Weimar);The Barbarians In Love (costumes); Sun (set); Political Mother (costumes) (Hofesh Shechter Company); Il Combattimento; Contagion (Shobana Jeyasingh Dance); 8 Minutes (costumes).

Price of Postage Not Included.

This formed part of an exhibition of photographs of the Hidden Corners of the National Theatre, that Miriam shot in the first half of 2010, using a Hasselblad that was the same age as the building (and her). She was interested in the transformations that happened inside the building and so used out of date ektachrome slide film that gave these incredible colours when processed. This is the final copy in the edition of 3.


Miriam Nabarro is a visual artist and scenographer whose practice spans performance, photography, printmaking and social- engagement. She is passionate about arts access and social justice and divides her time between performance and studio practice, in the UK and internationally.

C-type Photograph
350 x 350 (print size), 510 x 510 (framed)
Photograph with Maple Frame

Price of Postage Not Included.

Fast sketch done by German-British costume and theatre designer Moritz Junge during creative meetings in London ahead of the premiere of ‘Wicked’ at the Neue Flora Hamburg, Germany in 2021.

Moritz Junge is an acclaimed set and costume designer who works internationally across theatre, opera, dance and entertainment. Born in Germany, Moritz studied at the university of the arts in Berlin before coming to London to complete his MFA in set and costume design at the Slade School of Fine Art under the tutelage of Philip Prowse and Yolanda Sonnabend. In 2001 he was the overall winner of the Linbury Prize, the UK’s most prestigious award for graduates in stage design. Following his degree show, he debuted with Tom Cairns designing the world premiere of Tom Ades’ The Tempest which opened in 2004 at the Royal Opera House in London. Moritz has since worked consistently with most of the leading performing art institutions in the world, alongside numerous commercial projects, including costume design for the London 2012 Paralympic opening ceremony. He also regularly works with photographer Finlay MacKay, creating and styling commercial images for advertising campaigns such as the Lavazza calendar in 2008 and a Sony BMG album for Paloma Faith.

A4 mounted on A3.
Office Paper

Price of Postage Not Included.